It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 29, 2016, 06:39 PM
http://if.com.au/2016/03/29/article/Lucasfilms-Dou...
Doug Chiang began his career as a stop motion animator on the TV series Pee Wee’s Playhouse. After attending UCLA film school, he became a commercial director for Rhythm and Hues. After joining ILM, he served as visual effects art director on films such as Terminator 2, Ghost, The Doors, The Mask, Forrest Gump, and Death Becomes Her.
March 29, 2016, 06:39 PM
http://cinefex.com/blog/p-is-for-puppet/
Everyone knows what a puppet is. Or do they? Just so we’re clear, here’s Howard Berger, co-founder of KNB EFX, with his definition:
March 27, 2016, 05:57 PM
http://lesterbanks.com/2016/03/every-best-visual-e...
For the 1927/28 Academy awards, the award was for engineering effects. There was no award again until 1938 where it was called a special award “for outstanding achievement in creating special photographic and sound effects. The very next year the award was combined with sound effects and called the Award for Special Effects. It wasn’t […] The Post Every Best Visual Effects Winner. Ever. originally appeared and published on %%BLOGLINK%,by lesterbanks
March 26, 2016, 12:58 PM
http://lesterbanks.com/2016/03/batchframe-releases...
Move Anchor Point 3 for Ae offers new modes for working with multiple sections and works with Ae's 3D space. The Post BatchFrame’s Move Anchor Point 3 For After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
March 26, 2016, 06:10 AM
http://www.awn.com/news/zero-vfx-creates-bygone-er...
With its star-studded cast and sprawling narrative, Scott Cooper’s Black Mass heads back to the seventies to tell the story of Whitey Bulger, the brother of a state senator and one of South Boston’s most infamous criminals. ZERO VFX, with one of its two offices in Boston, was called upon to recreate the bygone era of the city it calls home.
March 25, 2016, 02:02 PM
http://news.doddleme.com/blogs/post-production/app...
In our last lesson, in our look at Apple Motion 5, we talked about the Appearance Tab, in the Inspector, when have have text selected. In this lesson, we’re going to move onto the Layout tab, and talk about putting you new text, onto a Path to animate it.
March 25, 2016, 07:26 AM
http://www.cartoonbrew.com/business/vfx-firm-doubl...
Double Negative, a leading visual effects firm that won an Oscar last month for its work on Ex Machina, announced today that it will cease all operations at its Singapore studio. The shutdown will take place by May 20, 2016.
March 25, 2016, 07:26 AM
http://www.cgmeetup.net/home/foosball-vfx-breakdow...
CG animated feature film by Argentine-Spanish co-production directed by Oscar-winner Juan José Campanella (The Secret in their Eyes and episodes of House and 30 Rock) and Disney veteran Sergio Pablos (Tarzan, Hercules, executive producer of Despicable Me, character designer for Rio) is an animation supervisor on this project.
March 25, 2016, 07:25 AM
http://www.cgmeetup.net/home/render-buffers-in-lig...
Render Buffers in LightWave Next. The 3D model has been sculpted by Miriam Bonetti.
March 24, 2016, 04:52 PM
https://news.creativecow.net/story/881183
(March 24, 2016) With its star-studded cast and sprawling narrative, Scott Cooper’s Black Mass heads back to the seventies to tell the the story of Whitey Bulger – the brother of a state senator and one of South Boston’s most infamous criminals.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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