It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 21, 2016, 01:26 PM
http://postperspective.com/molecule-vfx-affair-muc...
By Randi Altman Luke DiTommaso, co-founder of New York City’s The Molecule, recalls “humble” beginnings when he thinks about the visual effects, motion graphics and VR studio’s launch as a small compositing shop. When The Molecule opened in 2005, New York’s production landscape was quite a bit different than the tax-incentive-driven hotbed that exists today. “Rescue Me was our big break,” explains DiTommaso. “That show was the very beginning of this wave of production that...
January 21, 2016, 10:28 AM
http://www.btlnews.com/crafts/visual-fx/mpc-reveal...
MPC completed almost 300 VFX shots for Spectre, the 24th James Bond adventure. Led by MPC VFX supervisor Mark Curtis and producer Laura Schultz, MPC’s global team worked closely with director Sam Mendes and production VFX supervisor Steve Begg, covering three key sequences in the snowy Austrian Alps and the deserts of Morocco. The post MPC Reveals Visual Effects Work for Spectre appeared first on Below the Line.
January 21, 2016, 10:28 AM
http://renderplease.com/post/137756534405
January 21, 2016, 10:27 AM
http://www.videoguys.com/blog/guides/user-spotligh...
This is the first in a series of articles comparing virtual reality streaming and 2D video with a focus on virtual reality gear. We hope it will be a resource for you as you plan out your gear and workflow needs. You can get the 360Heros camera mounts and starter bundles here at Videoguys.com. Virtual Read More The post Experimenting with Virtual Reality Gear and Workflow appeared first on Videoguys Blog.
January 21, 2016, 10:27 AM
http://www.artofvfx.com/the-revenant-nicolas-cheva...
Nicolas Chevalier began his career in visual effects in 2011 at Buf Compagnie, he worked on many films such as BATMAN BEGINS, SILENT HILL or THOR. He moved two years in London at BlueBolt and then joined MPC in Montreal in 2014 for X-MEN: DAYS OF FUTURE PAST. In 2015, he comes to Cinesite to take care of the effects of THE REVENANT.
January 21, 2016, 10:27 AM
http://cinefex.com/blog/cinefex-145-cover-reveal/
Wondering how best to reveal the cover of our upcoming issue, we invited our friends at Industrial Light & Magic to do the honours.Since the cover of Cinefex 145 showcases ILM’s spectacular work on Star Wars: The Force Awakens, they were only too happy to oblige.
January 21, 2016, 10:27 AM
http://www.newyorker.com/culture/cultural-comment/...
Scroll through this year’s Oscar nominations. Find the category for visual effects. There, you’ll see two colonic reboots: “Mad Max: Fury Road” and “Star Wars: The Force Awakens.” They make for pretty interesting nominees. To hear it from their directors, the special effects of “Fury Road” and “The Force Awakens” are notable for being old-fashioned rather than innovative, earthbound rather than gravity-defying. Put another way: they’ve been rewarded for sticking a bunch of ...
January 20, 2016, 01:46 PM
https://www.rocketstock.com/blog/how-to-create-han...
Making text look like it has a hand-drawn wiggle is pretty easy in After Effects, and comes down to 2 parts...
January 20, 2016, 10:27 AM
http://www.videoguys.com/blog/tutorials-tips-trick...
Using BCC Reframer, Avid and Adobe editors can quickly rearrange vertical mobile phone footage and transform it into a horizontal aspect ratio. Find out how in this quick tutorial from Boris FX and freelance editor Nathan Ryan. Tutorial: Quickly Fix Vertical Cell Phone Footage! Fix Vertical Cell Phone Footage with BCC Reframer from Boris FX Read More The post Boris FX BCC Reframer Tutorial to Fix Vertical Cell Phone Footage appeared first on Videoguys Blog.
January 20, 2016, 10:26 AM
http://www.stuff.co.nz/business/75986534/health-an...
New health and safety legislation has forced Sir Peter Jackson to resign as a director of Weta Workshop.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.