It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 18, 2016, 06:19 AM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Brandon Davis stops by the CG Garage to talk about his very diverse careers. Having worked in CG for nearly two decades, he also happened to be part of Special Forces in the United States Army at the same times that he was making visual effects. Having worked at major facilities like Digital Domain and Weta, he has worked on Armageddon, The Day After Tomorrow, The Avengers, Iron Man 3, Godzilla, Dawn of the Planet of the Apes, and much much more.
January 17, 2016, 06:51 AM
http://behindvfx.com/post/137450951125/behind-vfx-...
Behind VFX ACCESS is a video curation service to give movie fan a direct access to curated playlists of reliable official behind the scenes videos.
January 16, 2016, 09:45 AM
http://www.cgmeetup.net/home/everest-vfx-breakdown...
RVX is the lead VFX vendor on this third collaboration with director Baltasar Kormákur.
January 16, 2016, 09:45 AM
http://www.artofvfx.com/valerian-and-the-city-of-a...
Cara Delevingne purpose a quick behind the scenes video of VALERIAN AND THE CITY OF A THOUSAND PLANETS (click on the picture to watch it)...
January 15, 2016, 02:00 PM
http://www.videoguys.com/blog/tutorials-tips-trick...
Eye flickers are fixable thanks to Imagineer System’s software mocha: planar tracking based visual effects solutions! Find out how to effectively correct that quick but distracting moment an actor looks at the camera using mocha software in this tutorial from the developers. Replacing Actor’s Eyes for Digital Performance Enhancement by Imagineer Systems Tutorial: Performance Replacement with Read More The post Mocha Tutorial: Performance Replacement with Tracking and Masking appeared f...
January 15, 2016, 01:59 PM
http://lesterbanks.com/2016/01/vfx-lens-distortion...
Chital Gazdar has a look into the process for working with lens distortion throughout the VFX Pipeline. The Post VFX Lens Distortion Workflow With PF Track, Maya & Nuke originally appeared and published on %%BLOGLINK%,by lesterbanks
January 15, 2016, 01:59 PM
https://news.creativecow.net/story/880554
(Tel Aviv, Israel--January 15, 2016) Tel Aviv-based Edit Studios used Mistika's colour-finishing capabilities to grade “Baba Joon”, named best film at the most recent “Ofir Awards”, the Israeli version of the Academy Awards. “Baba Joon” is a feature-length directorial debut by screenwriter director Yuval Delshad, an Israeli and himself, the son of Iranian immigrants. “Baba Joon”was the first feature on Edit Studio's Mistika that was shot using Red.
January 15, 2016, 11:47 AM
http://www.redsharknews.com/post/item/3174-bcc-10-...
Boris FX’ Continuum Complete 10 is not only the biggest release from the company yet, but also the first joint development since its merger with Imagineer Systems. Guest author, Ross Shain, details what’s new. Boris FXImagineer SystemsContinuum CompleteTitlersVFXFinishingCompositingrestoration
January 15, 2016, 06:59 AM
http://www.redsharknews.com/post/item/3173-star-wa...
Star Wars rapidly creates its own mythology, and one of the main myths already surrounding The Force Awakens was that it was the long-awaiting triumphal return of practical effects. And it was, but only to an extent. Star WarsStar Wars: The Force AwakensVFXVFX breakdownPractical Effects
January 15, 2016, 06:53 AM
http://www.cgchannel.com/2016/01/frostsoft-release...
A creature animation rendered by games artist Paolo Lamanna in PixelBerg. Version 1.8 makes the real-time PBR render engine compatible with Cinema 4D’s standard renderer, extending its use for final-quality output.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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