To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

112 Original Scores in 2015 Oscar race

December 17, 2015, 10:43 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES – The Academy of Motion Picture Arts and Sciences announced that 112 scores from eligible feature-length motion pictures released in 2015 are in contention for nominations in the “Original Score” category for the 88th Academy Awards (www.oscars.org).

A Sound Effect’s Interview with Justin Frankel

December 17, 2015, 10:40 AM

http://reaperblog.net/2015/12/the-rise-of-reaper-a...

In general, how do you decide what new features to include? And how’s the community involved in expanding what’s possible with Reaper?

Sound Devices 788T Hitches a Ride with Noted Germa

December 16, 2015, 01:09 PM

http://www.broadcastbeat.com/sound-devices-788t-hi...

BERLIN, GERMANY, DECEMBER 16, 2015 — For the past 11 years, Production Sound Mixer André Zacher has captured vibrant audio for more than 50 documentary and feature films worldwide. From the scorching heat of Africa and the sub-freezing temperatures of Scandinavia, to the remote mountains of the Himalayas, Zacher never leaves home without his trusted ...

11 Cool Christmas Gifts For Musicians And Engineer

December 16, 2015, 10:17 AM

http://bobbyowsinski.blogspot.ca/2015/12/11-cool-c...

We could all use a little bit of shopping help when it comes to buying holiday gifts for the people around us in the music and recording business. If you're in a quandary about what to buy, you're in luck as I have a list of recommendations that covers a wide variety of items and price ranges. All of these following products (except for the last one) I use regularly.

John Krivit takes over as new AES president

December 16, 2015, 06:45 AM

http://www.audiomediainternational.com/news/john-k...

John Krivit has been named the new president of the Audio Engineering Society.

The Rise Of Reaper

December 16, 2015, 06:45 AM

http://www.asoundeffect.com/the-rise-of-reaper/?ut...

If you’ve been working with audio in the past few years, it’s been hard to miss Reaper. It’s a constantly-evolving DAW with a lot of flexibility in terms of scripting and customization – and a growing number of sound designers swear by it. I was curious to hear the story behind Reaper, so I managed to get in touch with creator Justin Frankel. Here’s Justin, on making Reaper, his favorite features + his tips for first-time Reaper users...

News: Steve Green & Giant Squid Studios – Audio

December 15, 2015, 05:15 PM

http://designingsound.org/2015/12/news-steve-green...

As sound designers, our jobs usually entail creating a […]

Sound Design for ‘The Hunger Games: Mockingjay,

December 15, 2015, 05:15 PM

http://postperspective.com/sound-design-hunger-gam...

Warner Bros. Sound re-teams with director Francis Lawrence for the final chapter. By Jennifer Walden It’s the final installment of The Hunger Games, and all the cards are on the table. Katniss Everdeen encourages all the districts to ban together and turn against the Capitol, but President Snow is ready for their attack. In true Hunger Games-style, he decides to broadcast the invasion and has rigged the city to be a maze full of traps, called pods, which unleash deadly terrors on the re...

New Video: Hybrid Library

December 15, 2015, 05:15 PM

http://www.prosoundeffects.com/blog/new-video-hybr...

Learn more about the best value, most reviewed general sound effects library on the market, the Pro Sound Effects Hybrid Library. Sound professionals worldwide rely on the Hybrid Sound Effects Library to design the sound behind our favorite films, TV shows, games and beyond. Independent reviews show unparalleled search breadth, ... The post New Video: Hybrid Library appeared first on Pro Sound Effects Library.

20 Years of Collaborating with Tarantino with Zero

December 15, 2015, 01:17 PM

http://filmmakermagazine.com/96680-20-years-of-col...

Few directors this side of Joseph Mankiewicz are as attentive to the clear, crisp presentation of dialogue as Quentin Tarantino, giving the always important role of production sound mixer even more weight on his sets. Since Jackie Brown in 1997, Tarantino has relied on Academy Award winner (for Titanic) Mark Ulano to capture his production sound. Tarantino’s latest, The Hateful Eight, represents some of Ulano’s finest work to date – which is saying something considering that he has over a ...

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