It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 7, 2015, 01:35 PM
http://www.premiumbeat.com/blog/audio-editing-tip-...
Mixing and matching ADR with location audio can be very challenging, but these audio editing tips will help you get much better results every time.
December 7, 2015, 07:05 AM
http://www.tasteofcinema.com/2015/20-movies-with-t...
The world of cinema interest is ruled initially by actors, and secondly by directors. They always overshadow the other technical works in cinema, but for somebody getting into film, aspects like cinematography or editing are just as important to them.
December 7, 2015, 06:19 AM
http://designingsound.org/2015/12/who-cares-about-...
This article is a guest contribution by Damian Kastbaue […]
December 7, 2015, 06:18 AM
http://www.audiomediainternational.com/installatio...
Dolby and Ministry of Sound are collaborating to bring Atmos sound technology to the world famous London nightclub early next year.
December 6, 2015, 06:16 AM
http://eriknaso.com/2015/12/05/eriknaso-com-holida...
The season of giving continues here at eriknaso.com! The first one was for a SanDisk 64GB SD Card that will end tonight at midnight.
December 5, 2015, 04:58 PM
http://linecheck.soundgirls.org/2015/12/05/4079/
Audio engineers and audio techs in the world of broadcast are very different in terminology and context compared to live concert sound, even though they perform similar tasks. In addition to mixing a live show (similar to an FOH), a live broadcast mixer’s show simultaneously goes out over the air – usually to millions – thus broadcast audio positions are often broken out or compartmentalized.
December 5, 2015, 04:58 PM
http://deadline.com/2015/12/steve-jobs-composer-da...
One of the few good things to come from Ridley Scott’s 2013 noir The Counselor was British composer Daniel Pemberton, whose work drew the attention of Steve Jobs director Danny Boyle. What resonated with Boyle was how Pemberton pushed the boundaries by mixing original sound design with traditional orchestration in personifying Counselor’s gritty crime tones.
December 4, 2015, 10:23 AM
http://designingsound.org/2015/12/monthly-theme-so...
Sometimes the last thing we as audio professionals want […]
December 4, 2015, 05:41 AM
https://news.creativecow.net/story/880304
(New York, New York--December 3, 2015) NY-based audio post shop Mr. Bronx has expanded, with the addition of two new mix rooms and the hiring of Mixer/Sound Designer Eric Hoffman and Producer Claudia Gaspar.
December 3, 2015, 07:46 PM
http://www.btlnews.com/awards/contender-sound-desi...
Whether it’s a true account, like Anne Frank’s The Diary of a Young Girl, or a dramatic film, such as Roman Polanski’s The Pianist, personal stories help people comprehend the unfathomable atrocities of the Holocaust. And here we have another tale with Hungarian director László Nemes’ film Son of Saul, a story singly focused on one man’s Holocaust experience. The post Contender – Sound Designer Tamás Zányi, Son of Saul appeared first on Below the Line.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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