It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 13, 2016, 05:05 AM
https://blogs.creativecow.net/blog/14167/compose-t...
Avid Media Composer when outputting the AAF takes the populated metadata in the "Tape" column and uses this for the "Reel Name" at the Edit Index Events in Resolve. This might be a bit tricky to observe, Resolve uses Dynamic "Reel Names" with linked media clips. Dynamic Reel Names means, if the Media Pool clips are reconformed (actively linked, seeing video in the Resolve Timeline) in the Edit Index Events, then updating the "Reel Name" for the the clip in the Media Pool should ripple to the "Re...
May 12, 2016, 04:40 PM
http://renderplease.com/post/144255541930
I’ve worked on a scripted comedy show, advertising (movie trailers, TV promos, etc.), and now...
May 12, 2016, 04:40 PM
http://www.bobbieosteen.com/2016/05/join-bobbie-fo...
Click here.
May 12, 2016, 04:37 PM
http://news.doddleme.com/blogs/post-production/avi...
Things seemed to have gotten better for Avid, as the headlines moved more towards their cloud based integration and less about the company’s financial woes. Even as early as NAB, it seemed that the video editing company had gotten its mojo back. But with the recent resignation of CFO John Frederick, a disappointing quarter of bookings, and a disparate restructuring plan put in place, the news is bad. Really bad. And the company is hemorrhaging cash like crazy. Could this the end?
May 12, 2016, 12:19 PM
http://www.digitalrebellion.com/blog/posts/kollabo...
We've just launched Kollaborate Server 2.0 - a major update to our in-house workflow platform for video professionals. This is the in-house companion to Kollaborate 2.0 that launched on the cloud last month. File management improvements We've rebuilt the Files page to behave more like a desktop browser like OS X Finder, including arrow key navigation, click to select, shift-click to select a range of files, etc. QuickLook is also back but this time it behaves a lot more like the...
May 12, 2016, 12:18 PM
http://renderplease.com/post/144252476070
May 12, 2016, 09:14 AM
https://www.productionhub.com/blog/post/avoid-thes...
It’s hard enough to find a great job in video production, even with the best resume. Up to 90% of all US employers, including all the major motion picture and TV studios, use a computerized ATS (applicant tracking system) to screen resumes. An employer may use this technology to select the 50 best resumes from a field of 1,000. Hiring executives then spend as little as 6 to 10 seconds scanning each resume to select the best five candidates. Those individuals are contacted for phone intervi...
May 12, 2016, 09:14 AM
http://www.studiodaily.com/2016/05/aja-to-release-...
AJA said software for controlling its new RovoCam block cameras will soon be available as a free download. The RovoCam is a UHD/HD camera with an integrated HDBaseT interface for a single cable connection carrying video, audio, power and RS-232 … more » The post AJA to Release Free Control Software for New RovoCams appeared first on Studio Daily.
May 12, 2016, 09:14 AM
http://blogs.adobe.com/creativecloud/5-things-you-...
From access to an exclusive asset marketplace to a website to help you launch your career, Creative Cloud is designed to help you create your best work and share that work with the world. If you’re not taking advantage of these five features, you’re not getting the most out of your Creative Cloud subscription: 1. Adobe Portfolio Adobe Portfolio is a tool to help build your own personalized website in minutes, no coding experience required. Choose from layouts designed to highlight yo...
May 12, 2016, 09:14 AM
http://postperspective.com/stitch-edits-spot-for-l...
Based in Soho in London, Stitch Editing has finished a project for The Times and The Sunday Times’ first-ever joint brand campaign. Directed by Rattling Stick’s Ivan Bird, the 30-second TV and cinema commercial features a montage of significant headline moments from around the world. Using the technique of isolating one unexpected sound from each scene, Continue reading →May 12, 2016
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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