It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 10, 2016, 05:23 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
For the opening titles of Ciclope Festival 2014, an international conference based in Germany dedicated to the craft of the moving image, a fuchsia booty-shaking robot acts as usher, taking us through a strange and shifting cyberdelic dream.With this sequence artist and director Saiman Chow makes his title design debut, working with studio Blacklist and the sound designers at Antfood to create a world where spam windows overwhelm, deepsea landfills overflow with colour, pandas and A-frames...
May 10, 2016, 05:22 AM
http://postperspective.com/the-third-floors-eric-c...
When people hear the word previs, they likely think of visual effects, but today’s previs goes way beyond VFX. Our industry is made up of artists who think visually, so why not get a mock-up of what a scene might look like before it’s shot, whether is includes visual effects or not. Continue reading →May 10, 2016
May 10, 2016, 05:22 AM
https://blogs.creativecow.net/blog/14167/compose-t...
Avid Media Composer when outputting the AAF takes the populated metadata in the "Tape" column and uses this for the "Reel Name" at the Edit Index Events in Resolve. In Resolve it is vital to always use Reel Names when migrating to Media Composer and then coming back to Resolve.
May 9, 2016, 04:20 PM
http://manhattaneditworkshop.blogspot.com/2016/05/...
Sight, Sound & Story 2016 Promo Video! MEWShop’s one-day summit returns to New York on June 11, 2016 at the NYIT Auditorium on Broadway. Panels include the art and processes of editing documentary film and episodic television, and behind the the green screen with VFX artists. Our closing panel will highlight the career of award-winning feature film editor Anne Coates, ACE, with author and film historian Bobbie O’Steen. The summit culminates in a gala reception and networking session for...
May 9, 2016, 04:20 PM
http://renderplease.com/post/144105384650
Holy crap! :-O Render Please is officially 3 years old! It sometimes feels like I’ve been running this blog for forever (ha), but THREE YEARS. I cannot thank y’all enough for following this ol’ blog. All the submissions, questions, shout outs, (virtual) high fives. All of it. THANK YOU. This wouldn’t exist were it not for you.Some stats about Render Please: 1190 posts have been made on the blog. 11,170 followers on Tumblr, 1200 likes on Facebook, 1578 followers on Twitter. CRAAAAYZA...
May 9, 2016, 03:11 PM
http://www.commandeditpodcast.com/blog/breaking-in...
Today's guest is Mark Hartzell (editor on True Blood, Agent Carter, Animal Kingdom) to talk about how he got into TV editing and what the differences are between TV editors and feature film editors. What it's like transitioning from show-to-show often How does the workflow differ between shows? How do you know when to say "No" to a script? ...and how do you do it politely and professionally so that bridges don't get burned? How to work your way onto one of the BIG shows like Agent Carter?
#avid#adobe#media composer#premiere#film editing#post production#freelance#clients#business#marvel#entrepreneur#mark hartzell#agent carterMay 9, 2016, 12:46 PM
http://www.youtube.com/watch?v=-qL2gNZjETc
At NAB, Small Tree Communications was showing its TitaniumTZ5+, a mobile shared storage device.
May 9, 2016, 11:00 AM
http://renderplease.com/post/144100363905
May 9, 2016, 11:00 AM
http://www.videoguys.com/blog/4k-video-editing-mad...
Here’s a great article on 4K video editing workflow, and if you need RAID solutions or a new powerful workstation built to handle video editing you can check out our selection of high quality G-Tech storage and our custom built HP Z workstations! Easy 4K Workflow DigitalFilms.wordpress.com by Oliver Peters In the last post I questioned the Read More The post 4K Video Editing Made Easy appeared first on Videoguys Blog.
May 9, 2016, 04:41 AM
http://www.redsharknews.com/post/item/3465-gtx-108...
DaVinci Resolve users take note: Nvidia's new Pascal-based GTX 1080 and 1070 GPUs rival or exceed the performance of last generation's Titan X. NvidiaGTX 1080Titan XGPUGraphics cardBlackmagicDa Vinci ResolveResolve
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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