To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

4 Tips to Help You Add Sound Effects to Your Music

November 1, 2015, 06:11 AM

http://www.motionelements.com/blog/articles/4-tips...

Whether you are a filmmaker, a musical artist, or a businessperson who wants to up the ante on your company's media, it behooves you to know the basics of how to add sound effects to your music. The process isn't as intimidating as it may at first seem. In fact, it can even be fun. Here are some tips to help you add the perfect sound effects that will take your music from ordinary to extraordinary.

Create a Sidechain Pumping Effect with Waves C1 Co

November 1, 2015, 06:10 AM

http://logic-pro-expert.com/logic-pro-blog/2015/11...

Groove3 audio software tutor Eli Krantzberg has produced a free video tutorial about using the Waves C1 Compressor plugin in Logic Pro X to create a sidechain pumping effect.

New at AES NY—Pro Tools 12.3 and Pro Tools | Doc

October 30, 2015, 09:44 AM

http://www.avidblogs.com/new-pt12-3-and-ptdock/

The article New at AES NY—Pro Tools 12.3 and Pro Tools | Dock! by Tom Graham appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Tascam DR-10x Plug-On Recorder

October 30, 2015, 09:43 AM

http://nonlinearpost.com/tascam-dr-10x-plug-on-rec...

Tascam DR-10x Plug-On Linear PCM Recorder The Tascam DR-10x introduces a more compact method of recording secondary audio by using any dynamic or battery-powered microphone with an XLR connection. This device is easy to use–only recording in one sample rate (48kHz) in 48kHz/24-bit mono WAV(BWF format). Now that’s okay with me and probably with you as well if you are a filmmaker/post production person. Imagine having a microphone with no cable with its own recorder attached to it as you [...

AES 2015: AMS Neve bows BCM10/2 MK2

October 30, 2015, 09:43 AM

http://www.audiomediainternational.com/show-news/a...

AMS Neve is using the AES Convention in New York to launch the BCM10/2 MK2, an updated version of the classic BCM10 console that has become a favourite of many users as a 'sidecar' for larger studios.

Review: Tascam DR-10X 48 kHz plug-on audio recorde

October 29, 2015, 06:43 PM

http://www.provideocoalition.com/review-tascam-dr-...

If you saw my recent review of the RØDE Reporter dynamic handheld microphone (link ahead), you probably noticed a device connected to the end of it, and may have thought it was a wireless transmitter. It wasn’t. The DR–10X is just a tiny 52x94.4×28mm plug-in recorder that snaps onto handheld XLR dynamic microphones, or other mics that are self-powered. With batteries installed, The DR–10X weighs only 68.3 grams. I first found out about the DR–10X from Chris Meyer when he bought one...

Audition Basics: Multitrack vs. Waveform editing.

October 29, 2015, 01:58 PM

http://blogs.adobe.com/audition/2015/10/audition-b...

I’ve been meaning to start a blog series covering basic Audition workflows and tools for some time now.  Our documentation and promotional teams do a great job showing off what’s new in each release, but we don’t offer a lot of in-depth training material for Creative Cloud members just getting started.  It is my goal with this ongoing series to cover the topics that help our readers become masters with Audition and audio editing. Audition is a deep application with a long history ...

How To Save You Ears

October 29, 2015, 11:27 AM

http://www.hypebot.com/hypebot/2015/10/how-to-save...

Hearing loss is the 3rd most common health problem in the U.S. with 43 million between the ages of 12 and 35 living with disabling hearing loss. The safe volume listening is 85db for a maximum of 8 hours, but most portable media devices are capable of producing sound levels of at least 100db.

Anna Behlmer on mixing sound effects in movies

October 29, 2015, 04:38 AM

http://blog.dolby.com/2015/10/podcast-anna-behlmer...

Anna Behlmer was the first woman to be nominated for the Academy Award® for Best Sound, with 10 total nominations over the course of her career. But like most people who can call themselves the first, her path into the industry wasn’t a clear or easy one.

Sound Advice From The Pros—Part 2

October 28, 2015, 03:49 PM

http://www.avidblogs.com/sound-advice-from-the-pro...

The article Sound Advice From The Pros—Part 2 by Tom Graham appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

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