It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 27, 2015, 09:36 AM
https://www.cinema5d.com/5-tips-indie-film-audio/
If you’ve spent any time on Vimeo recently, you might think sound design has gone out of style. I’m talking about traditional sound design: environmental sounds, movement sounds, emotional tones, natural and non-literal sounds — aural elements that build worlds outside of music.
October 27, 2015, 05:01 AM
http://www.audiomediainternational.com/business/ad...
ADAM Audio has appointed David Angress to the position of CEO worldwide.
October 26, 2015, 05:20 PM
http://designingsound.org/2015/10/news-how-to-crea...
In an appropriately seasonal blog post over at A Sound […]
October 26, 2015, 06:00 AM
http://www.asoundeffect.com/how-to-create-horror-s...
How do you create your own horror and gore sound effects? Saro Sahihi from SoundBits has a lot of experience with that, having done both a full-on gore sound library, as well as some SFX libraries with really creepy, ghostly sounds and shocking transitions. And in this special A Sound Effect guide, he shares his tips on how to make those horrific sounds.
October 23, 2015, 04:12 PM
https://news.creativecow.net/story/879961
(New York, New York--October 23, 2015) Integrated creative studio Mixtape Club has undergone a sweeping expansion that includes enlarged facilities and a newly forged partnership with longtime sister company Huma-Huma. The announcement comes on the heels of a benchmark year, including a slew of work with Google, as well as collaborations with ESPN, MoMA, and a music video for They Might Be Giants.
October 23, 2015, 09:11 AM
http://bosfcpug.org/izotope-opens-state-of-the-art...
iZotope, Inc. have opened the doors on iZotope Studios, a state-of-the-art, not-for-profit studio facility boasting a multi-use mastering room as well as a flexible live room and control room.
October 23, 2015, 04:46 AM
http://www.productionhub.com/blog/post/sound-devic...
Award-winning Filmmaker, Barbara Green, was on the lookout for a mixer to capture dynamic audio for her recent documentary, Packed In A Trunk: The Lost Art of Edith Lake Wilkinson, and she found exactly what she was looking for once she chose Sound Devices' MixPre-D Compact Field Mixer.
October 23, 2015, 04:45 AM
http://designingsound.org/2015/10/sound-decision-i...
User Interface sounds are a breed of their own. Some cl […]
October 17, 2015, 05:47 AM
http://www.blogtalkradio.com/moviegeeksunited/2015...
Composer Daniel Pemberton (The Counselor, The Man from U.N.C.L.E.) discusses his work on the new film Steve Jobs.
September 8, 2015, 12:45 PM
http://www.postmagazine.com/Press-Center/Daily-New...
What role can impressionistic sound design have in documentary films? In this episode from Dolby Institute, sound designer/mixer Coll Anderson explains it’s all about “telling human stories.” Anderson walks listeners through a number of scenes, including a critical scene from his most recent work, Andrew Jarecki’s The Jinx Box for HBO. He explains how Errol Morris liberated sound design in non-fiction film, why Foley is sometimes necessary to get to the heart of a story, and how a tr...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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