To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Rave Review for the SmallHD 502 Field Monitor

December 10, 2015, 12:14 PM

http://www.videoguys.com/blog/cool-gadgets/rave-re...

Take note of this thorough breakdown of the features and highlights of SmallHD 502 Full HD field monitor. It’s impressive technology in rugged, compact form. Review: SmallHD 502 FullHD On-Camera Monitor Streaming Media blog by Paul Schmutzler As a compact on-camera monitor with usability more reminiscent of a smartphone than a monitor, the ability to Read More The post Rave Review for the SmallHD 502 Field Monitor appeared first on Videoguys Blog.

FilmLight’s colour science insight welcomed by E

December 7, 2015, 06:25 PM

https://news.creativecow.net/story/880318

(London, UK--December 7, 2015) Rotor Film, the post production provider founded in 2011 and housed in the historic Studio Babelsberg in Potsdam, just launched the most advanced grading and mixing theatre in Europe. The theatre features high-performance colour grading from Baselight, Auro 3D and Dolby Atmos audio mixing and monitoring, plus a Barco 4K 60fps projector.

Color Grading Central Relaunches with LUT Giveaway

December 3, 2015, 12:28 PM

http://news.doddleme.com/blogs/post-production/col...

Color grading. With more cameras offering Raw, being able to grade your film effectively is a must have skill. So it helps to have a central hub with which to learn new techniques and find new look up tables to get the cinematic color you’re looking for. That’s where Color Grading Central can come in handy, and they’re offering free movie looks to try them out.

Review: Lattice 3D LUT-Management Software

November 30, 2015, 05:26 PM

http://www.studiodaily.com/2015/11/lattice-lut-man...

Many of us working on broadcast programs or feature films are shooting raw and/or multiple compressed formats, with different cameras utilizing various flavors of log. These days it has become quite common to employ a hodgepodge of camcorders on a single … more » The post Review: Lattice 3D LUT-Management Software appeared first on Studio Daily.

6 Questions For A Colorist

November 28, 2015, 02:13 PM

http://www.jimwicks.com/6-questions-for-a-colorist...

He received a course project to complete called ‘Advanced Skills,’ which involves researching a specific advanced skill set within the TV industry.

SGO Appoints new Regional Sales Manager and Market

November 25, 2015, 10:39 AM

http://www.sgo.es/SGO+New+Appointments+

Tech industry veteran Jose Luis Montero has been appointed as Regional Sales Manager for SGO’s Latin American sector, where he will play an influential role in promoting Mistika. An accomplished sales manager with over 18-years experience of developing complex I.T. projects, along with his vast background in electronic engineering and extensive knowledge of the European and Latin American market, makes him the perfect ... Read More

EFILM Colors the Final Chapter of the 'Hunger Game

November 24, 2015, 10:31 AM

http://www.creativeplanetnetwork.com/news/post/efi...

EFILM, a Deluxe Creative Services company, recently completed color grading on the 2D, 3D and DolbyVision versions of The Hunger Games: Mockingjay--Part 2. Colorist Mitch Paulson worked in Autodesk Lustre to color the final installment of the franchise.

Peter Doyle: Supervising Visual Colourist at Techn

November 19, 2015, 02:55 PM

https://library.creativecow.net/cow_news/FilmLight...

Peter Doyle is one of film industry's most distinguished supervising colourists, performing magic when colour grading for Academy Award-winning cinematographers and directors such as Andrew Lesnie and Bruno Delbonnel, Peter Jackson and Tim Burton to name a few.

Great Tutorials on Color Matching with SpeedGrade

November 17, 2015, 01:32 PM

http://www.premiumbeat.com/blog/great-tutorials-on...

Working with two completely different cameras? Here are some tips for color matching your footage using Adobe SpeedGrade.

KYOSHIN Unveils Mistika-Graded HDR-4K Content at I

November 17, 2015, 01:32 PM

http://www.sgo.es/2015/11/kyoshin-unveils-mistika-...

Mistika’s Ground-Breaking HDR Technology is in the Japanese Spotlight. SGO’s Japanese Reseller Partner KYOSHIN Communications showcases the performance-leading Mistika colour-finishing post production system again at this year’s InterBEE from 18 – 20 November in Tokyo. On KYOSHIN’s Booth (4201, Hall 4), two state-of-the-art Mistika systems will be on display to demonstrate stunning HDR 4K 60P content on Canon and SONY ... Read More

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