It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 12, 2016, 06:24 AM
http://if.com.au/2016/05/12/article/Deluxe-launch-...
Deluxe’s DDP Studios in South Melbourne has opened new sound mixing suites with associated sound edit and design suites.
May 11, 2016, 12:54 PM
http://reaperblog.net/2016/05/reversed-reverb-effe...
How to make a reversed vocal swell transition in REAPER. This is a classic production trick done by reversing a copy of the vocal, printing reverb to it, then reversing again so the reverb tail precedes the voice.
May 10, 2016, 09:24 AM
http://www.broadcastbeat.com/dpa-microphones-captu...
ATLANTA, MAY 10, 2016 – When a nagging problem with one of his microphones required him to send it back to the manufacturer, Production Sound Mixer Chris Durfy, CAS was looking for a replacement to complete his work on the upcoming Netflix thriller, Stranger Things. Durfy, who had heard great things about DPA Microphones over ...
May 9, 2016, 11:00 AM
http://designingsound.org/2016/05/media-sound-hamb...
From July 8th through July 17th, Internationale Film Fernseh und Musik Akademie will be hosting Media Sound Hamburg; its 6th International summer school for film music, game music and sound design. The event will be taking place at Elsa-Braendstroem-Haus in Hamburg-Blankenese, Germany. Additionally, Randy Thom will be presenting a separate Master Class July 8th through 10th […]
May 8, 2016, 06:39 PM
http://designingsound.org/2016/05/sunday-sound-tho...
As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span… I like to regularly spend some time thinking about how I describe […]
May 7, 2016, 09:03 AM
http://logic-pro-expert.com/logic-pro-blog/2016/05...
In this video, audio software tutor Eli Krantzberg will be using Waves SoundShifter creatively to add octave doubling to some rock guitar power chords, and phatten up a rock drums part by using the plugin’s real time Soundshifter Pitch component.
May 6, 2016, 12:15 PM
http://www.slashfilm.com/doctor-strange-music/
As much as I enjoyed Captain America: Civil War, there is one area where it falls flat on its face – the musical score is wholly unremarkable. Heck, just about every single movie in the Marvel Cinematic Universe is guilty of this exact same sin. Here are dynamic characters, colorful heroes who demand to be associated with instantly recognizable melodies, and their adventures are scored with the musical equivalent of vanilla pudding. No single MCU movie features identifiable music and that’s ...
May 6, 2016, 12:15 PM
http://www.slashfilm.com/how-movie-sound-effects-a...
If you never stop to think where any given sound comes from in a movie, then the crew member known as the Foley artist has done a good job. You probably don’t even realize just how many sound effects in movies are created in a sound studio. Sometimes it’s a sound you’ve never heard before, like a TIE Fighter while other times it’s just the sound of a couple rolling through the leaves.
May 6, 2016, 09:27 AM
http://www.jamuura.com/blog/how-sound-design-defin...
Francis Ford Coppola's The Godfather is a film which we love and revere for various reasons. Be it Coppola's assured direction, the gripping screenplay which does a fantastic adaptation of Mario Puzo's novel, Marlon Brando and Al Pacino's performances, Gordon Willis' cinematography or Walter Murch's editing, the film is an accomplishment on various levels and there's a lot filmmakers can learn from it.
May 5, 2016, 01:22 PM
http://www.aotg.com/index.php?page=cuttingroom_194
Gordon talks to Andy Donahue from Killer Tracks about their music library, getting stems, and more!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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