To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Restoring Charlie Chaplin's Sound

May 27, 2016, 04:45 AM

https://www.criterion.com/current/posts/4082-timot...

Last week, conductor and composer Timothy Brock led the New York Philharmonic in a live orchestral performance of the score to Charlie Chaplin’s 1931 film City Lights—a score that Brock, working with Chaplin’s family, had spent several months diligently restoring.

Music Cognition and Psychoacoustic Research: An In

May 26, 2016, 05:57 AM

http://designingsound.org/2016/05/music-cognition-...

For this month’s theme of “Research”, Dr. Susan Rogers was kind enough to answer our questions about her work and research in music cognition and psychoacoustics. Susan Rogers holds a doctorate in cognitive psychology from McGill University (2010). Prior to her science career, Susan was a multiplatinum-earning record producer, recording engineer, mixer and audio technician. […]

Composer Mac Quayle - Mr Robot

May 25, 2016, 11:43 AM

http://soundworkscollection.com/news/soundworks-co...

In this exclusive interview we talk with Composer Mac Quayle about his electronic score for the hit show, Mr. Robot which starts its second season on July 13, 2016.

EQing by Frequency Juggling

May 25, 2016, 09:17 AM

http://bobbyowsinskiblog.com/2016/05/25/frequency-...

One of the best ways to make all the elements fit in a mix is by frequency juggling. That’s where you make sure that no two instruments are boosted at the same frequency so they never fight for attention in the mix. Here are 3 steps from the 3rd edition of my Mixing Engineer’s Handbook to make frequency juggling work for you, as well as a couple of excellent quotes from Jon Gass and Ed Seay, some of the very best mixers ever.

News: The AudioVR Network

May 24, 2016, 05:30 AM

http://designingsound.org/2016/05/news-the-audiovr...

  Co-founders Jesse Holt, Chris Hegstrom, and Jacob Pernell would like to invite you to join their new network, AudioVR. Virtual reality is in its infancy, ready to be molded and defined by passionate and talented communities, and AudioVR aims to be the hub where sound pros can translate their past roles and redefine audio for […]

Veteran sound editor/designer George H. Anderson j

May 23, 2016, 03:35 PM

http://www.postmagazine.com/Press-Center/Daily-New...

CULVER CITY, CA — Supervising sound editor/sound designer George H. Anderson has joined Sony Pictures Post Production Services (www.sonypictures.com). Anderson brings a deep and varied resume in sound with more than 75 credits in film and television. Some of his recent projects at Sony Pictures include Popstar: Never Stop Never Stopping,  Pee-wee’s Big Holiday and  Trainwreck.

iZotope Launches VocalSynth for ‘Outside the Vox

May 23, 2016, 03:35 PM

http://lappg.com/izotope-launches-vocalsynth-outsi...

New plug-in keeps producers on trend, providing transformative vocal effects in classic and new styles Cambridge, MA (May 18, 2016) – Inspired by decades of iconic vocal effects, from Peter Frampton to Beastie Boys to Daft Punk, iZotope, Inc. today announced the release of VocalSynth, a new creative plug-in for music producers and sound designers […] The post iZotope Launches VocalSynth for ‘Outside the Vox’ Vocal Experiences appeared first on lappg.

Supervising Sound Editor George H. Anderson Joins

May 23, 2016, 10:22 AM

http://www.broadcastbeat.com/supervising-sound-edi...

CULVER CITY, CALIF.— Veteran Supervising Sound Editor and Sound Designer George H. Anderson has joined Sony Pictures Post Production Services.  Anderson brings a deep and varied resume in sound with more than 75 credits in film and television. He has completed several recent projects at Sony Pictures, including Popstar: Never Stop Never Stopping, Pee-wee’s Big ...

New SFX Libraries: April Recap

May 23, 2016, 07:00 AM

http://designingsound.org/2016/05/new-sfx-librarie...

If you are releasing a new SFX library and you would like it to be included in our recap, send us the details with our SFX Independence Submission Form. Please only notify us of libraries that were released within the last month or substantially updated. Introduction MPLS Light-Rail by Undertone Sound Library For their most recent sound […]

Sunday Sound Thought 21 – Visibility Problem…S

May 22, 2016, 12:29 PM

http://designingsound.org/2016/05/sunday-sound-tho...

As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span… I’m trying to remember on which podcast I heard it this week […]

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