It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 30, 2015, 05:32 AM
https://blogs.creativecow.net/blog/13934/23976-fps...
Tracking video timecode including frame numbering with the Media Composer for each source file. A reconforming workflow path that is seamless from offline proxies to online video masters can mean to understand that the Avid is basically assigning on-the-fly video timecode metadata after it first knows the start timecode metadata, the fps, and the project format type.
December 29, 2015, 07:21 PM
http://www.digitalproductionbuzz.com/2015/12/digit...
On the Digital Production Buzz, Larry Jordan talks with guests Philip Hodgetts, Ned Soltz, Michael Kammes, Larry O'Connor, and Jonathan Handel. Trends to Watch in 2016: Technology Trends to Watch in 2016: Cameras Trends to Watch in 2016: Workflow Trends to Watch in 2016: Storage Trends to Watch in 2016: Labor Randi's Perspective: TBA WATCH FULL SHOW The post Digital Production Buzz – December 31, 2015 appeared first on Digital Production BuZZ.
December 29, 2015, 01:42 PM
http://www.premiumbeat.com/blog/how-to-get-hired-a...
There are many outlets for employment in the video production industry, it's simply a matter of positioning yourself so you are visible and well-represented to employers.
December 29, 2015, 01:42 PM
http://lesterbanks.com/2015/12/custom-aovs-and-obj...
Learn how you can use custom AOV's and Object Masks in your workflow with Arnold for Cinema 4D. The Post Custom AOVs and Object Mask in Arnold For Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks
December 29, 2015, 01:42 PM
http://www.videoguys.com/blog/news-and-sales/avid-...
Do you may own Avid Media Composer 7 or earlier without an Upgrade & Support plan? This notice is to advise you that you may be eligible for a limited-time Avid Media Composer Upgrade & Support Program allowing you to add an Upgrade & Support plan to your older version of Media Composer. To be Read More The post Avid Media Composer Upgrade & Support Program (7.0 or older) Ends December 31 appeared first on Videoguys Blog.
December 29, 2015, 01:42 PM
http://www.videoguys.com/blog/guides/video-tutoria...
Our good friend Kevin P McAuliffe has posted a new series of Avid Media Composer tutorials on the Avid blogs that focus on how to improve your high-res workflows when you edit in Media Composer. In this series he walks us through setting your project and timeline, transcoding and linking, working with FrameFlex and LUTs, using custom frame Read More The post Avid Media Composer High-Res Workflows Tutorials appeared first on Videoguys Blog.
December 29, 2015, 09:14 AM
http://tech.firstpost.com/reviews/ipad-pro-review-...
It’s quite impossible to have one device to rule them all, but I’d be happy if I could bring it down to two. The thought of not having to lug one and also one less device to charge is not a bad idea. A few years ago, inspired by a friend who’s a CIO of a large corporation and worked completely off his iPad, I went and got myself a good iPad keyboard. I was all set to enjoy a lighter backpack, face fewer charging problems, et al.
December 27, 2015, 07:26 AM
http://photo.it-enquirer.com/2015/12/3d-texts-in-f...
Funtextic helps you create dynamic 3D titles fast and with minimal effort in Final Cut Pro X. But if you want to have total control over the end-result, there’s nothing to prevent you from tampering with a dazzling array of parameters, including the Final Cut Pro X 3D text settings themselves.
December 25, 2015, 06:49 PM
http://www.provideocoalition.com/free-function-fri...
Ep. 13 importAFile Free Function Friday
December 24, 2015, 03:42 PM
http://www.videoguys.com/blog/news-and-sales/avid-...
The popular Avid ISIS | 1000 is in the news again for being a reliable, fast, affordable solution for production professionals. Find out more in the webinar below. Avid Finds Success with Low Cost Storage System for Video The Broadcast Bridge blog Avid said its new, affordable shared storage system for creative teams and video Read More The post Avid ISIS | 1000 Succeeds as Low Cost Storage System for Video appeared first on Videoguys Blog.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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