To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

11 Eye-Popping Examples of VFX

November 13, 2015, 01:28 PM

http://moviepilot.com/posts/3635877?lt_source=exte...

With spectacular blockbusters dominating the movie scene these days, a filmmaker's ability to properly use special effects is essential. Though movies like Star Wars: Episode VII — The Force Awakens are bringing back a love practical effects, you'd still be hard-pressed to find a big, visually stunning tentpoles without some effects magic.

The Foundry releases Colorway 2.0

November 13, 2015, 01:28 PM

http://www.cgchannel.com/2015/11/the-foundry-relea...

The Foundry has released Colorway 2.0, the latest version of its iterative look design tool, and announced new subscription-only pricing for the software, which was previously available as a free trial.

Interview With EJ Hassenfratz from Eyedesyn

November 13, 2015, 01:27 PM

http://greyscalegorilla.com/podcasts/greyscalegori...

In this episode, I talk to EJ Hassenfratz from Eyedesyn about his career and how he got started as a Motion Designer. EJ has been posting his excelent tutorials on Greyscalegorilla lately and also doing a live show over at youtube. You can follow him on twitter at Eyedesyn.

Cinema 4D signs up to Open Format 3D

November 13, 2015, 01:26 PM

http://www.redsharknews.com/post/item/3033-cinema-...

The push for open standards for 3D file exchange and render formats continues apace, with the news that Cinema 4D developer MAXON has signed up the international industry consortium Khronos Group. MaxonCinema 4DOpen SourceOpen Standards

Retour sur les avancées de FumeFX 4

November 13, 2015, 06:05 AM

http://www.3dvf.com/actualite-15056-retour-sur-ava...

Sati Sitni this video two advanced FumeFX 4.0: sharpening the shader (which is used to add detail without restarting the simulation) and shader black body.

How to 3D Camera Track 360 Footage in AE

November 13, 2015, 06:05 AM

http://www.mettle.com/how-to-3d-camera-track-360-f...

Mikey Borup (After Effects Tutorials w/Mikey) shows us exactly how to 3D Camera Track 360 footage in After Effects. Camera tracking or match moving is primarily used to track the movement of a camera through a shot. That way you can add or remove objects in a scene, and they will match the perspective and look seamlessly integrated into the scene. It’s much trickier to do with 360 footage than with 2D footage, but Mikey figured out a technique and shares it in this tut. He camera tracks a Bill...

THE LAST WITCH HUNTER: Nicholas Brooks - Productio

November 12, 2015, 10:08 AM

http://www.artofvfx.com/the-last-witch-hunter-nich...

Nicholas Brooks have started his career in the VFX at Computer Film Company in London in 1989 and have worked on many various projects such as WHAT DREAMS MAY COME, BLADE II, NOW YOU SEE ME or LUCY.

The Foundry gets new CEO

November 12, 2015, 10:08 AM

http://www.cgchannel.com/2015/11/the-foundry-gets-...

CEOs old and new: UK broadcast executive Alex Mahon (left) becomes The Foundry’s new CEO, taking over from Bill Collis (right), who remains full-time at the leading DCC tools developer, becoming company president.

THE TAKING OF TIGER MOUNTAIN: VFX Breakdown

November 12, 2015, 04:38 AM

http://www.artofvfx.com/taking-tiger-mountain-vfx-...

mofac & alfred have released this VFX breakdown about their work on THE TAKING OF TIGER MOUNTAIN...

VFX Artist Rob Legato Discusses his Process of Pre

November 11, 2015, 11:31 AM

http://www.youtube.com/watch?v=sTqMLsrteOA

Manhattan Edit Workshop presents: Sight, Sound & Story - Avatar Part II. From Manhattan Edit Workshop's "Sight, Sound & Story: An Evening with Visual FX Artists Rob Legato and Mark Russell" Robert Legato is a visual effects supervisor, second unit director and second unit director of photography. He has been nominated for three Academy Awards and has won two. His first win was for his visual effects work on "Titanic." His second was for his work on "Hugo." In 1996, he won the BAFT...

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