It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 25, 2015, 10:09 AM
http://www.finalcutpro.es/2015/07/video-novedades-...
En este vídeo de unos 20 minutos os mostramos las principales novedades de DaVinci Resolve 12, el programa de edición y corrección de color de Blackmagic Design. Con casi 100 nuevas opciones, una interfaz totalmente renovada y un módulo de montaje avanzado, Resolve 12 es una herramienta total que se va a convertir en omnipresente en todos los [...] La entrada VÍDEO: Novedades de DaVinci Resolve 12 aparece primero en finalcutpro.es.
July 16, 2015, 03:39 PM
https://www.aotg.com/bmpcc-lut-examples/
BMPCC LUT Example
July 16, 2015, 09:25 AM
https://www.aotg.com/varicam-live-color-grading-working-with-pomfort/
TUsing Pomfort’s LiveGrade you can remotely color grade the VariCam 35. In my previous post, I explained how to set up the camera in preparation for the next step – working with the LiveGrade software. The software connects to the camera over a wired or wireless network and can work in a couple of different ways. You can set it to use the Default 3D LUT in-camera, which uses the...
July 12, 2015, 06:57 AM
https://www.aotg.com/how-to-make-a-video-look-like-film-with-speedgrade/
In this video tutorial you can learn how to use Direct Link to roundtrip your projects to SpeedGrade for comprehensive color grading and applying preset film stock and camera looks.
July 10, 2015, 05:01 PM
https://www.aotg.com/the-lumetri-color-panel-and-color-correcting-in-pr-2/
In this video we take a deep dive into the Lumetri Color Panel and the new color correction workflow in Premiere Pro CC 2015. We talk about how to work with each of the panels, clip selection, keyboard shortcuts, and some things you need to know to get moving quicker. We'll show you a quick way to enable and disable your color ...
July 10, 2015, 12:15 PM
http://www.retooled.net/?p=1647
In this video we take a deep dive into the Lumetri Color Panel and the new color correction workflow in Premiere Pro CC 2015. We talk about how to work with each of the panels, clip selection, keyboard shortcuts, and some things you need to know to get moving quicker. We’ll show you a quick […]
July 9, 2015, 04:36 PM
https://www.aotg.com/varicam-live-color-grading-camera-setup-part-1/
One of the great features of the Panasonic VariCam 35 is its built in color management. The camera can record in VariCam Log while applying look up tables (LUTs) to all outputs, including the viewfinder. The camera can load in both 3D LUTs for full color adjustment, as well as CDLs (Color Decision Lists) for basic Lift, Gamma, Gain and Saturation adjustments. While these LUTs and CDL files can be loaded in via an SD card, what really makes this camera unique is that it can also be live graded.
July 7, 2015, 09:23 AM
https://www.aotg.com/the-effects-processing-pipeline/
In this episode, Steve will demonstrate why it’s important to apply color corrections as separate effects when creating looks or other color grades.
July 5, 2015, 12:45 PM
https://www.aotg.com/use-luts-like-a-pro-best-practices-for-color-gr/
In this tutorial, we look at 3 tips to do better color grading using LUTs.
July 3, 2015, 10:48 AM
https://www.aotg.com/lumetri-color-in-premiere-pro/
To me, the new stand out feature in CC 2015 is actually in Premiere pro and not After Effects. Check out some real world examples of using Lumetri Color to fix some difficult shots with mixed light environments. Enjoy.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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