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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Resolve: Matching a Shot with RGB Parade Scopes

June 9, 2015, 04:48 AM

https://www.aotg.com/resolve-matching-a-shot-with-rgb-parade-scopes/

In this episode of Resolve in a Rush, Alexis Van Hurkman from Rippletraining.com, demonstrates how to use RGB Parade Scopes to match to shots in DaVinci Resolve 11 and 12.

The Ultimate Digital Intermediate - Mad Max: Fury

June 8, 2015, 04:58 AM

http://www.definitionmagazine.com/journal/2015/6/8...

The Mad Max: Fury Road shoot was long and arduous and eventually lost a dimension when 3D was delayed to a post process. The DI became a huge eight month process and was much more than a colour statement.

Understanding Color

June 5, 2015, 05:11 AM

https://www.aotg.com/understanding-color/

Why Color is so important, Saturation and Value and six Color Harmonies that work.

Rocket Rooster Cinema Colour II Demo

May 28, 2015, 05:00 AM

https://www.aotg.com/rocket-rooster-cinema-colour-ii-demo/

The pack features over 30 different film negative and positive print emulation LUTs with LOG and Rec709 versions to chose from. As an added bonus you get an extra 20 creative grades/looks based off the pack to quickly get you something different.

Resolve: Managing Color Grades - Storing, Playing

May 28, 2015, 04:56 AM

https://www.aotg.com/resolve-managing-color-grades-storing-playing/

You learn about Versions where you can store and recall subtle (or drastic) variations of a look. You also see how to make Gallery Stills to create images as a reference guide. These techniques -combined with color grade copying, group grading of multiple clips and split screen viewing- are the tools colorists use for speed and to maintain consistency when working on larger projects.

Resolve 105: Managing Color Grades - Overview

May 28, 2015, 04:55 AM

https://www.aotg.com/resolve-105-managing-color-grades-overview/

You learn about Versions where you can store and recall subtle (or drastic) variations of a look. You also see how to make Gallery Stills to create images as a reference guide. These techniques -combined with color grade copying, group grading of multiple clips and split screen viewing- are the tools colorists use for speed and to maintain consistency when working on larger projects.

Resolve 105: Managing Color Grades - Creating a Gr

May 28, 2015, 04:55 AM

https://www.aotg.com/resolve-105-managing-color-grades-creating-a-gr/

You learn about Versions where you can store and recall subtle (or drastic) variations of a look. You also see how to make Gallery Stills to create images as a reference guide. These techniques -combined with color grade copying, group grading of multiple clips and split screen viewing- are the tools colorists use for speed and to maintain consistency when working on larger projects.

LUT Master Guide to Color Grading

May 26, 2015, 04:22 PM

https://www.aotg.com/lut-master-guide-to-color-grading/

I break it down and help you better understand the various LUTs used in color grading. Click the links below to learn more about LUTs such as OSIRIS and ImpulZ...

GoPro Color Grading Tips and Workflow

May 21, 2015, 04:15 PM

https://www.aotg.com/gopro-color-grading-tips-and-workflow/

Here are some random tips for color grading GoPro footage shot with Protune.

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