It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 22, 2019, 05:25 AM
https://www.artofvfx.com/the-girl-in-the-spiders-w...
Come have a look at how Pixomondo enhanced the various stunts and locations for THE GIRL IN THE SPIDER’S WEB...
January 16, 2019, 07:30 AM
https://www.artofvfx.com/aquaman-main-on-end-title...
Let’s dive into the deep of the ocean to watch this stylish title sequence for AQUAMAN created by Filmograph...
January 9, 2019, 10:14 AM
https://www.shutterstock.com/blog/10-after-effects...
I could go on and on about this stuff for days (as evidenced by the nearly 25-minute tutorial). When I recorded the first installment of this series, I recorded way too much. The video was on track to be about 40 minutes long, so I had to cut it down. These are some of the leftover tips from that edit session — as well as some new ones.
January 9, 2019, 10:14 AM
https://www.slashfilm.com/aquaman-vfx-reel/
Director James Wan had to craft a lavish underwater world primarily out of visual effects, so it’s no wonder that the before and after shots are so dramatic in this Aquaman VFX reel. On the heels of Aquaman‘s splashy box office success, Warner Bros. has released a video that shows the painstaking work that went into building the expansive underwater world of Atlantis, and all those flow-y hair shots.
January 4, 2019, 10:53 AM
https://www.artofvfx.com/star-trek-discovery-seaso...
The best way to wait until the second season of STAR TREK: DISCOVERY? Let’s watch this excellent VFX Breakdown by Pixomondo about their work on the first season...
January 4, 2019, 06:48 AM
https://www.artofvfx.com/first-man-the-vfx-feature...
Have a look at the various VFX techniques that were used on FIRST MAN by the teams of DNEG...
January 3, 2019, 01:12 PM
https://www.artofvfx.com/remi-sans-famille-vfx-bre...
Digital District presents their VFX work on REMI SANS FAMILLE...
January 3, 2019, 07:50 AM
https://nofilmschool.com/2018/12/how-make-your-spi...
The animated web-slinger is currently in theaters and watching the film is like strolling through a comic book. Halftone, text bubbles and split screen techniques are utilized throughout, along with an explosion of blue and red hues.
January 1, 2019, 03:34 PM
https://www.artofvfx.com/digital-domain-25th-anniv...
Let’s start 2019 with this beautiful compilation of VFX work made by Digital Domain since 25 years!
December 28, 2018, 06:51 AM
https://www.slashfilm.com/the-morning-watch-the-mo...
over at Vanity Fair, Mowgli: Legend of the Jungle director and motion capture star Andy Serkis provides an extensive breakdown of a scene involving Christian Bale’s performance as Bagheera the panther. Serkis talks about the intentionally unrealistic design of the animals, especially when it comes to their faces, and how motion capture made it possible.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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