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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Behind the Scenes of Disney's

March 24, 2016, 08:25 AM

https://www.aotg.com/behind-the-scenes-of-disneys/

Behind the Scenes of Disney's "The Jungle Book" VFX

5 THINGS: on HDR (episode 201)

March 15, 2016, 12:24 PM

https://www.aotg.com/5-things-on-hdr-episode-201/

In the Season 2 Episode 1 Premiere of 5 THINGS, Michael explores what YOU need to know about HDR!

Autodesk Stingray 1.2 - Overview

March 15, 2016, 09:28 AM

https://www.aotg.com/autodesk-stingray-1-2-overview/

Stingray 1.2 adds support for the HTC Vive virtual reality platform, multi-threaded project compilation, and a series of workflow improvements that make it quicker to accomplish everyday tasks within Stingray. Stingray now enables animation of the shading environment as well as easier animation of sub-components of Units. Finally, new rendering options make it easier to find and evaluate objects in a level.

MPC Terminator Genisys VFX breakdown

March 10, 2016, 05:48 AM

https://www.aotg.com/mpc-terminator-genisys-vfx-breakdown/

MPC's work included recreating a ‘young Arnold’ T-800 digital character, Endoskeletons, an explosive battle at LAX, various CG set extensions and FX work.

Every Best Visual Effects Winner. Ever

February 19, 2016, 10:18 AM

https://www.aotg.com/every-best-visual-effects-winner-ever-2/

We had so much fun putting together every best picture ever, we thought we'd highlight every best visual effects winner next.

DEFlicker for FCP X - Best practices

February 17, 2016, 05:50 PM

https://www.aotg.com/deflicker-for-fcp-x-best-practices/

This tutorial covers the best practices and tips for using DEFlicker in FCP X to get the best results. This complements our other tutorials about specific features of the product that work the same in all applications.

Multi Plane Lightsaber Remove with mocha Pro

February 17, 2016, 10:15 AM

https://www.aotg.com/multi-plane-lightsaber-remove-with-mocha-pro/

In this in-depth tutorial, Imagineer Product Specialist, Mary Poplin walks you through a complex, multi-planar object remove of a lightsaber for a Star Wars fan film. This tutorial uses mocha Pro and Adobe After Effects.

Online Finishing Look Development & Skin Retouchi

February 8, 2016, 10:19 AM

https://www.aotg.com/online-finishing-look-development-skin-retouchi/

Boris FX & special guest presenter & finishing artist, Dan Harvey, present a 1 hour webinar training session on Online Finishing & Effects Techniques. Learn how the new Boris Continuum 10 plug-ins for Avid & Adobe can be used to compliment professional broadcast finishing projects. Tips & tricks for experienced editors & colorists.

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