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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

ZBrush Film & TV Reel

November 12, 2015, 04:38 AM

https://www.aotg.com/zbrush-film-tv-reel/

Pixologic is proud to provide artists and filmmakers with digital design solutions that help make movie magic possible.

Motion Magic in Under 5 Min: Creating an Optical I

November 11, 2015, 04:50 AM

https://www.aotg.com/motion-magic-in-under-5-min-creating-an-optical-i/

In this episode of Motion Magic in Under 5 Minutes, Mark Spencer shows you how to quickly create an optical illusion in Motion, using shapes, replicators, and behaviors.

How to Make Ghosts

November 9, 2015, 10:28 AM

https://www.aotg.com/how-to-make-ghosts/

Today we make classic style ghosts.

Skybox 360 Countdown Challenge

November 7, 2015, 03:28 PM

https://www.aotg.com/skybox-360-countdown-challenge/

This is a countdown leader for 360 video. meant to help you orient yourself in 360 space before the video begins.

CGI VFX Breakdown HD: Mazda 3 - VFX Breakdown

November 5, 2015, 05:32 AM

https://www.aotg.com/cgi-vfx-breakdown-hd-mazda-3-vfx-breakdown/

Check out this revealing VFX breakdown featuring a look at the CG/live integaration blending crated for a spot for the Mazda 3. FOr more information, please see the deatals and links below.

Häiriötekijä - VFX breakdown

November 2, 2015, 05:55 AM

https://www.aotg.com/hairiotekija-vfx-breakdown/

Production company: Mjölk Movie Director: Aleksi Salmenperä

Jaguar FPace breakdown - by Outpost VFX

November 2, 2015, 05:54 AM

https://www.aotg.com/jaguar-fpace-breakdown-by-outpost-vfx/

Check out another insightful VFX Breakdown from the talented team at Outpost VFX! After the success of our Ford GT evolution film Outpost VFX have again teamed up with Intro UK. This time, to create a launch mixing up the exciting new Jaguar F-Pace with the vibrant neon lights and futuristic landscapes of Shanghai to create this Blade Runner like sequence.

BCC 10 For Avid New Features Teaser

October 29, 2015, 06:42 PM

https://www.aotg.com/bcc-10-for-avid-new-features-teaser/

Boris Continuum Complete 10 for Avid is our biggest release to date and marks the first joint development effort between Boris FX and Imagineer Systems.

Nuke, Motion Control & Deep Compositing

October 28, 2015, 05:09 AM

https://www.aotg.com/nuke-motion-control-deep-compositing/

A free preview of our new advanced Nuke course running this term at fxphd. In this class, we are on set at Stiller Studio in Stockholm shooting cool motion-controlled high speed footage for this 300 level Nuke course, using Bolt and Cyclops motion control and Phantom Flex4K. Victor explains what we will be doing in this course and Mike walks through the filming process.

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