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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Deadpool 2: Titles by Method Studios

October 25, 2018, 04:25 AM

https://www.artofvfx.com/deadpool-2-titles-by-meth...

Be sure to watch those excellent titles sequences for DEADPOOL 2 made by Method Studios...

I, Tonya - SCENE ANALYSIS

October 23, 2018, 09:49 AM

https://www.youtube.com/watch?v=g6KKMRzNj5w

Are there hidden cuts in the ice skating routing and if so, why? Watch the full scene without our commentary: https://youtu.be/YTpeiTQoWIA Check out the entire audio podcast here: https://itunes.apple.com/us/podcast/ep-10-i-tonya-2017-this-guy-edits-podcast/id1428277484?i=1000422315586&mt=2 Thank you again to podcast listener Dennis (@dennisleytonb) who took time to put this bonus video together. I, Tonya is a 2017 American biographical film directed by Craig Gillespie and writ...

Editor Joe Walker, ACE, on Having an Eye for a Goo

October 23, 2018, 04:36 AM

https://www.aotg.com/editor-joe-walker-ace-on-having-an-eye-for-a-goo/

Joe Walker has worked as an editor on Arrival, Blade Runner 2049, 12 Years a Slave, and talks about how the editing role is inspired by music, technology, and the history of film.

Music In Film: WHEN Should You Use It In A Scene?

October 21, 2018, 07:32 AM

https://www.aotg.com/music-in-film-when-should-you-use-it-in-a-scene/

This fight scene from Atomic Blonde doesn't need music. Or does it?

In The Mood For Love - SCENE ANALYSIS

October 17, 2018, 12:16 PM

https://www.aotg.com/in-the-mood-for-love-scene-analysis/

How does Wong Kar-wai use storytelling for the act 1 catalyst?

Editor Charlene Short on Editing Serial Stories

October 16, 2018, 06:33 AM

https://www.aotg.com/editor-charlene-short-on-editing-serial-stories-2/

Editor Charlene Short talks about working with Media Composer for dramatic television programs and movies, how she built her career, and what she would say to students and assistant editors.

Why Stop Motion is Underrated

October 16, 2018, 06:32 AM

https://www.aotg.com/why-stop-motion-is-underrated/

These days, stop-motion films are few and far between, with Early Man and Isle of Dogs the only examples released within the last two years. This isn’t surprising. Stop-motion animation is incredibly tedious and difficult to produce, taking hours upon hours to build the sets and move each character motion-by-motion. Hand-drawn and computer-generated animation are far more preferable forms that allow filmmakers to do absolutely anything with ease.

Jack Ryan Season 1 - VFX Reel

October 15, 2018, 09:34 AM

https://www.artofvfx.com/tom-clancys-jack-ryan-sea...

Spanish studio El Ranchito have released this VFX reel about their work on the drones sequences for TOM CLANCY’S JACK RYAN...

POST MEET: How NOT To Network (In The Film Biz)

October 15, 2018, 04:36 AM

https://www.youtube.com/watch?v=nNG2_8BDvkg

How do you get through to someone on a cold call? Here are six things not to do and five suggestion on how to succeed. https://patreon.com/thisguyedits Rebroadcast of our monthly LIVE Post Meet which you can join to ask your questions and get free perks on Patreon (link above). Check out Whire Rabbit Production for their cool audio stacks for Adobe Premiere or Final Cut Pro X: http://thisguyedits.com/audio (50% Discount Code: PAPACKDISCOUNT50%) Check out https://SimonSays.ai for ...

Restoration and colourisation of 100 year old WWI

October 14, 2018, 06:31 AM

https://www.redsharknews.com/production/item/5866-...

I sometimes think that we're protected from the full horror of the World Wars by the poor quality of the moving images from the two 20th century conflicts. Equally you could argue that the existence of film at all hammers home the gritty reality more than words ever could. But the results of Peter Jacksons' work support the former of these two suggestions. It's mind blowing. We'll talk about the technical side in a moment, but first, just look at the footage. It's astonishing. It's been stabilis...

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