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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Meg Underwater Environments VFX

March 1, 2019, 07:25 AM

https://www.artofvfx.com/the-meg-underwater-enviro...

Sue Rowe (VFX Supervisor) and Jason Greenblum (CG Supervisor) talk about their creation of the underwater environments by Sony Pictures Imageworks for THE MEG...

The Orville VFX Showreel for Season 2

February 28, 2019, 10:23 AM

https://www.artofvfx.com/the-orville-s02e08-vfx-sh...

If you like spaceship and gigantic cities, have a look at this showreel by Pixomondo about their work on this episode of THE ORVILLE...

Mortal Engines VFX Breakdown

February 28, 2019, 10:23 AM

https://www.artofvfx.com/mortal-engines-vfx-breakd...

Weta Digital have released a serie of really cool VFX Breakdowns to present their work on MORTAL ENGINES...

Goosebumps 2 - VFX Breakdown

February 26, 2019, 07:25 AM

https://3dtotal.com/news/general/goosebumps-2-vfx-...

Pixomondo have posted a VFX breakdown of their work on Goosebumps 2.

Il Primo Re VFX Breakdown

February 21, 2019, 11:09 AM

https://www.artofvfx.com/il-primo-re-the-first-kin...

Italian studio EDI Effetti Digitali Italiani presents their work on IL PRIMO RE (THE FIRST KING)...

Johnny English Strikes Again VFX

February 14, 2019, 10:53 AM

https://www.artofvfx.com/johnny-english-strikes-ag...

Come have a look at the work of BlueBolt on JOHNNY ENGLISH STRIKES AGAIN...

Three Common Mistakes Beginner Editors Make

February 8, 2019, 05:21 AM

https://fstoppers.com/education/new-video-editing-...

Have you been wanting to start video editing but find yourself overwhelmed by the process? In this quick video learn the three most common mistakes beginner video editors make and how to fix them.

Sundance 2019: Before You Know it editor Ken Kinca

February 7, 2019, 12:41 PM

https://www.youtube.com/watch?v=YBLzxwf2-_4

Editor Ken Kincannon talked about working with the film's director on the cut, and offers up some tips for young and aspiring editors. Post Production courtesy of Frame of Reference

Infinity War: VFX Breakdown

February 7, 2019, 10:33 AM

https://www.artofvfx.com/avengers-infinity-war-vfx...

Following their VES Award for Outstanding Visual Effects in a Photoreal Feature, Digital Domain has just released the VFX Breakdown about their work on AVENGERS – INFINITY WAR focusing on the creation of Thanos...

Adobe's Bill Roberts

February 6, 2019, 07:29 AM

https://www.youtube.com/watch?v=TsOWt-cjwV8

After Adobe's Editor's Panel at Sundance, Bill Roberts sat down to talk about why having a presence at the festival is important and how it has changed over the years. Editing/Color via Frame of Reference

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