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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

A HOLLYWOOD TIPPING POINT

March 11, 2016, 01:21 PM

https://www.aotg.com/a-hollywood-tipping-point/

This brief introduction sets the context for the longer video titled "An Endless Appetite", which is a recording of Michael Cioni's presentation at the 2016 HPA Tech Retreat.

TERMINATOR GENISYS: VFX Breakdown by MPC

March 11, 2016, 05:46 AM

https://www.aotg.com/terminator-genisys-vfx-breakdown-by-mpc/

Excellent VFX breakdown by MPC about their work on TERMINATOR GENISYS and especially the Young Arnold...

LONDON HAS FALLEN: VFX Breakdown by Worldwide FX

March 9, 2016, 10:27 AM

https://www.aotg.com/london-has-fallen-vfx-breakdown-by-worldwide-fx-3/

Worldwide FX have just released the VFX breakdown about their work on LONDON HAS FALLEN...

London Has Fallen VFX Breakdown by Worldwide FX

March 9, 2016, 05:55 AM

https://www.aotg.com/london-has-fallen-vfx-breakdown-by-worldwide-fx-4/

Led by the Senior Visual Effects Supervisor Sean Farrow, and the Visual Effects Producer Anna V. James, Worldwide FX was lead VFX studio on "London Has Fallen" delivering more than 400 shots, 124 of which dedicated to the action sequence in front of Saint Paul's Cathedral.

Motion in Under 5 Min: Creating Custom Transitions

March 8, 2016, 08:04 PM

https://www.aotg.com/motion-in-under-5-min-creating-custom-transitions/

In this episode Mark Spencer show you how to quickly create a very clean and customizable transition using the Motion's replicator tool.

Man From UNCLE VFX Breakdown Reel

March 8, 2016, 10:36 AM

https://www.aotg.com/man-from-uncle-vfx-breakdown-reel/

Cinesite was involved in an exciting boat chase sequence following Solo and Kuryakin’s quick escape from the Aerospace building. Everything above the waterline was recreated digitally in this sequence, including all of the dockside buildings and environment, which was replaced with a CG Italian version; only the foreground water and boat were kept from the original footage.

The VFX Behind Zero Matter in Agent Carter

March 8, 2016, 06:13 AM

https://www.aotg.com/the-vfx-behind-zero-matter-in-agent-carter/

We go behind the scenes to show you how visual effects company Double Negative created the dark energy Zero Matter in ABC's "Agent Carter."

Cinesite Pride & Prejudice & Zombies VFX Breakdown

March 7, 2016, 10:29 AM

https://www.aotg.com/cinesite-pride-prejudice-zombies-vfx-breakdown/

Visual Effects Supervisor for the production, based upon the bestselling book by Seth Grahame-Smith, was Cinesite’s own Simon Stanley-Clamp, who oversaw around 200 shots for the production, ranging from environments to digital make-up enhancement, crowds of computer generated zombies, decapitations and limb removal. Work was shared across Cinesite’s London and Montréal teams.

CAN 2D HELP CG?

March 7, 2016, 06:51 AM

https://www.aotg.com/can-2d-help-cg/

Can 'good old' 2D animation drawings be of any help in making a 'Fancy' CG animation?

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