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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Last Kingdom Season 2 VFX Breakdown

June 23, 2017, 04:17 AM

http://www.cgmeetup.net/home/the-last-kingdom-seas...

Blue Bolt delivered 527 shots for the second season of this Viking-era epic. We created extensive set extensions and locations, bringing 9th century Saxon England to life. Among the most notable creations was a fully CG Viking ship that features repeatedly throughout episode 3, including in a spectacular storm sequence.

Featurette for 'War for the Planet of the Apes' Ex

June 21, 2017, 12:34 PM

http://www.firstshowing.net/2017/featurette-for-wa...

"I fight only to protect apes." 20th Century Fox has released a new featurette for War for the Planet of the Apes, focusing on the groundbreaking, unbelievable VFX work in the movie. Weta is the VFX studio responsible for bringing to life all of the apes in the movie, which is amazing because they didn't use a single real ape yet it's almost impossible to tell that they aren't real. Seriously. Weta has been improving with each of these three modern Apes movies, and this one has their best work y...

War Machine VFX Breakdown

June 21, 2017, 04:53 AM

http://www.cgmeetup.net/home/war-machine-vfx-break...

Blue-Bolt – Sole VFX vendor on Brad Pitt’s new poignant comedy about American troops in the aftermath of the Afghanistan troubles. Work included the creation of CG planes, digital set extensions, split screens and green screen replacements.

What the Focus?!?!?!

June 19, 2017, 04:45 PM

https://greyscalegorilla.com/podcasts/greyscalegor...

In this episode, the gang talks about the value of focus and the issues surrounding a lack thereof.

WONDER WOMAN: UPP thanks their team

June 16, 2017, 05:35 AM

http://www.artofvfx.com/wonder-woman-upp-thanks-th...

Congratulations to UPP for their great way to thank their team about their work on WONDER WOMAN!

How to Composite ActionVFX Ground Crack Elements

June 13, 2017, 09:06 AM

https://vimeo.com/221435104

In this tutorial by ActionVFX's Lendon, you'll see how Mocha Pro's tracking is used with Adobe After Effects to composite their Ground Crack elements.

Video of the Day: Blur Studio Animation/FX Reel

June 12, 2017, 04:39 AM

http://www.btlnews.com/news/video-day-blur-studio-...

Check out the animation and FX reel for Blur Studio. You can check out their website here. The post Video of the Day: Blur Studio Animation/FX Reel appeared first on Below the Line.

How SNL Makes VFX Magic in Less Than 12 Hours

June 8, 2017, 09:17 AM

https://www.aotg.com/how-snl-makes-vfx-magic-in-less-than-12-hours/

This SNL video shows how its VFX team works under the gun to finish polished and ready-to-air Digital Shorts in less than 12 hours.

Björk: Notget VFX Breakdown

June 8, 2017, 09:17 AM

http://www.cgmeetup.net/home/bjork-notget-vfx-brea...

Gavin Coetzee – I worked closely with Warren and Nick from W&N studio to bring this piece to life over the last few months. We started with allot of experimenting in 3D, exploring the themes of death and decay, transformation and rebirth. Bjork fell in love with the organic/biological tests we had done early on and we set out to build on this theme.

Logan VFX Breakdown Reveals How Wolverine's Bloody

June 6, 2017, 09:14 AM

http://www.slashfilm.com/logan-vfx-breakdown/

Since Hugh Jackman doesn’t actually have claws that extend from and retract back into his hand, usually the creation of Wolverine’s signature adamantium claws in the X-Men franchise comes from the prop department. However, for the instances when Wolverine has to jam his claws into somebody, visual effects must be employed to make it look like the mutant has actually stabbed someone rather than just playing pretend.

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