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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Pull Off a Levitation Effect with Fishing L

May 31, 2017, 04:12 AM

http://nofilmschool.com/2017/05/watch-how-pull-lev...

About a month ago we talked about fishing line and what kinds of items you'll want to keep on hand when using it on set for different special effects. Today, we dig into how to use those items to create those effects. In this video from Jay P. Morgan of The Slanted Lens, he covers how to hang, anchor, and choose fishing line for your awesome in-camera levitation effects, as well as a few tricks on how to make the process a whole lot easier.

David Fincher is a Secret Mastermind of VFX

May 28, 2017, 06:41 AM

https://www.aotg.com/david-fincher-is-a-secret-mastermind-of-vfx/

David Fincher may not be widely regarded as a visual effects director, but the fact is, he got his start at ILM in the early '80s working on Return of the Jedi. Also, The Social Network has more VFX shots than Godzilla (the one from the '90s, with P. Diddy and Jimmy Page).

Video of the Day: Deadpool Visual Effects Breakdow

May 22, 2017, 03:43 AM

http://www.btlnews.com/news/video-day-deadpool-vis...

An in-depth VFX breakdown reel showcasing the behind-the-scenes efforts by the Atomic Fiction team for Fox‘s Deadpool, based on the Marvel comic character. The post Video of the Day: Deadpool Visual Effects Breakdown appeared first on Below the Line.

The Shallows VFX Breakdown

May 20, 2017, 04:57 AM

http://www.cgmeetup.net/home/the-shallows-vfx-brea...

Benuts VFX presents The Shallows VFX Breakdown.

Combine Physics, Biology, VFX & Design

May 16, 2017, 09:31 AM

http://www.cgmeetup.net/home/how-to-successfully-c...

Entagma’s Manuel & Moritz share their insights (and humour) on how to successfully combine physics, biology, VFX and design into a new approach to Motion Design using Houdini.

GHOST IN THE SHELL: Showreel by Territory Studio

May 10, 2017, 05:00 AM

http://www.artofvfx.com/ghost-in-the-shell-showree...

Territory Studio presents their work on GHOST IN THE SHELL...

Flight VFX Breakdown

May 8, 2017, 04:30 AM

http://www.cgmeetup.net/home/flight-vfx-breakdown/

Atomic Fiction presents Flight VFX Breakdown.

Looper VFX Breakdown

May 8, 2017, 04:30 AM

http://www.cgmeetup.net/home/looper-vfx-breakdown/

Atomic Fiction presents Looper VFX Breakdown.

NAB 2017: The Foundry's Jody Madden

May 3, 2017, 04:54 AM

https://www.youtube.com/watch?v=x5Y__4HH35o

The Foundry introduced its Nuke 11 open beta, including updates in workflow (live groups) and standards. Also new is Elara platform that is what The Foundry is calling "post production in the cloud."

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