To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Prolight + Sound previews expanded seminar program

March 1, 2016, 05:41 AM

http://www.audiomediainternational.com/show-news/p...

One of the numerous changes for Prolight + Sound 2016 from 5 to 8 April will be the expanded and restructured seminar programme.

6 REASONS EDITORS SHOULD ATTEND EDITORS RETREAT

February 29, 2016, 11:29 AM

http://www.premierebro.com/blog/6-reasons-editors-...

Editors Retreat is a one-of-a-kind event for professional editors. Here are 6 reasons why every editor should attend. Featuring Editors Retreat attendee interviews, quotes, tips, and much more!

#event#star wars#editors retreat#straight outta compton#daredevil
The Basics of Building a Color Correction Suite

February 29, 2016, 11:27 AM

http://www.premiumbeat.com/blog/the-basics-of-buil...

Working with color takes more than just the right software. Here are three tips for building a color correction suite that will improve your output.

Editor Pax Wassermann Discusses the Dark Turn of t

February 29, 2016, 11:26 AM

http://www.youtube.com/watch?v=iKsqHheaG-w

Sight, Sound & Story 2015: Pax Wassermann on "Cartel Land" on June 13th, 2015. Pax Wassermann is a film editor and producer with twenty years in features, television and documentaries. In addition to "Cartel Land," his documentary work includes "Devil’s Playground," the Sally Mann documentary "What Remains," the recent films "Elaine Stritch: Shoot Me," "The Notorious Mr. Bout," "Knuckleball!," "Pussy Riot: A Punk Prayer," and "Which Way Home," which was nominated for a...

“Deadpool” comes alive with explosive action a

February 29, 2016, 11:26 AM

http://blogs.adobe.com/creativecloud/deadpool-come...

Ever since Ryan Reynolds burst onto the screen as Marvel Comics’s anti-hero Deadpool in X-Men Origins: Wolverine, fans have been clamoring to see their favorite “Merc with a Mouth” shine in a solo feature. The wait is over, as Deadpool has now hit the big screen in an adaptation filled with high-octane action sequences and a dark sense of humor. The film’s Director Tim Miller is well-known for creating stylish animations and visual effects. From cinematic trailers for the Star Wars ...

New Video Speed Class for SD Cards

February 29, 2016, 11:25 AM

https://www.cinema5d.com/new-video-speed-class-for...

Recently announced by the SD Association, the new Video Speed Class adds to the current range made up of the Speed Class and UHS Speed Class, with capture rates of up to 90MB/s. As was the case with the previous two classes, there is certain overlapping between them, all of which are better illustrated in the table below.

PRUEBA: DaVinci Resolve Live con Blackmagic UltraS

February 29, 2016, 06:50 AM

http://www.finalcutpro.es/2016/02/prueba-davinci-r...

La corrección de color en rodaje se ha popularizado mucho en los últimos tiempos. Los sistemas han ido haciéndose más portátiles y accesibles, hasta llegar a niveles inimaginables hace sólo unos años. En este artículo vamos a ver el funcionamiento del dispositivo de entrada y salida Blackmagic UltraStudio Express junto con el software DaVinci Resolve con su opción [...] La entrada PRUEBA: DaVinci Resolve Live con Blackmagic UltraStudio aparece primero en finalcutpro.es.

How cheap can colour correction software get?

February 29, 2016, 06:48 AM

http://www.redsharknews.com/post/item/3275-how-che...

A new app from Utah’s Luma Touch promises some interestingly powerful vfx layering and colour correcting capabilities to iOS. The price? How does $4.99 strike you? Luma TouchColour CorrectioniOSBlackmagic Davinci ResolveLumaFX

OSCARS 2016: Best Visual Effects winner

February 29, 2016, 06:46 AM

http://www.artofvfx.com/oscars-2016-best-visual-ef...

The Best Visual Effects Award for the 88th Academy Awards goes to...

'Ex Machina's' Oscar win is a triumph for low-budg

February 29, 2016, 06:46 AM

http://www.engadget.com/2016/02/29/ex-machina-osca...

If you've ever thought that a low-budget sci-fi thriller can't compete with the cream of Hollywood, think again. Last night's Academy Awards handed the Oscar for best visual effects to Alex Garland's brilliant Ex Machina. It's something of a shock, since the category had three heavy hitters in The Martian, Mad Max: Fury Road and Star Wars: The Force Awakens.

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