To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Spin VFX : retour sur les effets de la série The

March 4, 2016, 05:28 AM

http://www.3dvf.com/actualite-16087-spin-vfx-retou...

Spin VFX studio has posted an article on his work for the series of science fiction The Expanse , with a making-of video. For the first season, Spin VFX faked more than 400 planes, with environments, extensions scenery, but also the effects linked to the mysterious Protomolécule. Spin VFX also provided a 3D scan service on plate (props, actors).

What advise would you give to become an editor?:)

March 3, 2016, 02:42 PM

http://renderplease.com/post/140401368655

Questions like these are a bit difficult for me to answer, mostly because the road to becoming an...

The Expanse | Spin VFX

March 3, 2016, 02:42 PM

http://www.spinvfx.com/2016/03/the-expanse/

Spin VFX, which has created stunning visual effects for over 75 features and 15 television series, including Emmy award-winning work on HBO’s Game of Thrones and most recently work on Tim Kring’s dramatic fantasy mini-series Heroes Reborn for NBC is pleased to share their work on the sci-fi drama The Expanse.

Chaos Group Releases V-Ray 3.3 for Maya

March 3, 2016, 12:27 PM

http://www.studiodaily.com/2016/03/chaos-group-rel...

Chaos Group said artists and designers can expect speed boosts of between 20% and 50% in V-Ray 3.3 for Maya, a free update for existing users that brings it to feature parity with the 3ds Max version. New in this … more » The post Chaos Group Releases V-Ray 3.3 for Maya appeared first on Studio Daily.

Post-Production Highlights from UK’s Broadcast V

March 3, 2016, 12:26 PM

http://www.videoguys.com/blog/post-production-high...

The UK’s large Broadcast Video Expo just wrapped, and this article takes a look at some of the big conversations around Avid’s Cloud Collaboration for Pro Tools, virtual reality, and interactive storytelling. Post-Production Leaders Discuss the Latest Storytelling Tools and Techniques at Broadcast Video Expo 2016 Avid Blog by Keri Middleton As another busy Broadcast Read More The post Post-Production Highlights from UK’s Broadcast Video Expo 2016 appeared first on Videoguys Blog.

How Colorists Work with Graphics Departments

March 3, 2016, 12:25 PM

http://nofilmschool.com/2016/03/how-colorists-work...

Colorists work with special effects artists nearly as much as clients. Understanding the workflow of an effects house is just as important as running a client-filled room and performing the actual grading.

Speed it Up with Caching : Discovering Titler Pro

March 3, 2016, 06:28 AM

http://tracking.feedpress.it/link/9766/2740754

Quick Edit and Caching Options Discover one of Titler's most innovative features in part 3 of the 4-part tutorial series on Titler Pro 4 from our VP of Products Travis White. In this quick lesson, Travis explores the power of QuickEdit and render caching options useful for making sharp lower third templates. Learn how to make editable lower third templates to reuse in your future projects.

Editing on FCPX with George Abbott Clark

March 2, 2016, 05:50 PM

http://manhattaneditworkshop.blogspot.com/2016/03/...

Clark's timeline in FCPXGeorge Abbott Clark knows that Final Cut Pro X has a cloudy reputation in the editing business. “When it first came out, it was a nightmare,” he says on a phone call from Los Angeles. “But the new updates are remarkable. It’s like power steering - you would never go back to making it more complicated and cumbersome.”In editing Jim Shoe from writer-director Pete Sutton, Clark faced pushback from post-production and industry peers in his choice to cut in FCPX...

Soulscapes by Jesse Michael Newman

March 2, 2016, 02:25 PM

http://www.mettle.com/soulscapes-by-jesse-michael-...

This 360° animation is from Jesse Newman‘s latest project, Soulscapes, an ambitious attempt to distill and visualize his spiritual beliefs for his children. A project he started nearly 2 decades ago and hopes to finish by 2019, it describes the journey of a soul from birth to death and back, in a fully-immersive 360 degree experience, created entirely in After Effects with Element 3D and SkyBox Studio.

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