To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Uncategorized
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http://www.screeneditors.com.au/enews-68-february-...
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http://www.btlnews.com/awards/contenders-vfx-artis...
For their visual effects in The Revenant, Industrial Light and Magic scored another Oscar nomination, citing Rich McBride, Matthew Shumway, Jason Smith, and Cameron Waldbauer’s photorealistic work in the film. In the 40-year history of ILM, the company has scored 15 Oscar victories and has been nominated 29 times. The post Contenders – VFX Artists Rich McBride, Matthew Shumway, Jason Smith, Cameron Waldbauer, The Revenant appeared first on Below the Line.
Deadpool: Colossus Was Created Using 5 Different A
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When cameras began rolling on Deadpool, then still a risky R-rated superhero bet on 20th Century Fox’s part, fans were curious to see how closely the film would be tied to the X-Men universe.
VFX Supervisor Richard McBride on The Revenant
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http://www.studiodaily.com/2016/02/vfx-supervisor-...
Writer-director-producer Alejandro González Iñárritu’s intense survival film The Revenant has been nominated for 12 Oscars. Among those in contention are Leonardo DiCaprio, who has the lead role of Hugh Glass, a fur trader in the 1820s, who is attacked by a bear — a … more » The post VFX Supervisor Richard McBride on The Revenant appeared first on Studio Daily.
The Warrior’s way VFX Breakdown
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http://www.cgmeetup.net/home/the-warriors-way-vfx-...
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Dive Into Code – Part 2 of 3
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This article is a guest contribution by Leonard Paul, p […]
Refining Camera Animation in Cinema 4D
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Master camera moves in Cinema 4D by better understanding the graph. The Post Refining Camera Animation in Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks
Preparing myself for a night of grouping
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Create more complex type in Maya by connecting type nodes together. The Post Creating and Animating Complex Type With Maya Type Tool originally appeared and published on %%BLOGLINK%,by lesterbanks
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