To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

10 Ways to Increase Your Editing Speed

December 17, 2015, 10:39 AM

https://www.rocketstock.com/blog/10-ways-to-increa...

To be completely honest with you, I’m a person who prefers the challenges of the set versus the challenges of the editing room. I’m primarily a director so I’m built that way. Does this mean that I never enter the editing room? Absolutely not. The editing room is where the film is made. Many times I’ve had to edit my own work, work with freelance editors, or even edit for other filmmakers.

KIDS CREATE STAR WARS INSPIRED VFX PLUGINS

December 17, 2015, 10:39 AM

http://videoandfilmmaker.com/wp/index.php/news/888...

long time ago, in a galaxy not unlike this one – actually it was this galaxy and it wasn’t exactly that long ago – a little film called Star Wars was released and it changed the way visual effects (and even sound effects) are made.

CrumplePop announce AudioDenoise, a $99 noise redu

December 17, 2015, 05:35 AM

http://www.fcp.co/final-cut-pro/articles/1762-crum...

A slightly different plugin announcement. CrumplePop has just released AudioDenoise, a third party noise reducing plugin for FCPX. We asked how is it better than the built-in FCPX noise reduction and why? (It is also on special offer for a week at $49)

Netflix lowers resolution to improve quality

December 17, 2015, 05:35 AM

http://www.redsharknews.com/technology/item/3118-n...

It is one of those counter-intuitive sounding things, but Netflix has a new plan for making sure that its video content hist your monitor in the next condition possible, even if that means lower resolution. NetflixAmazon PrimeStreamingOTTEncodingbitrateH264

Comparing Non-Linear Editing Software

December 16, 2015, 05:13 PM

http://www.videoguys.com/blog/news-and-sales/compa...

The Nashville Film Guild recently held a debate comparing the most popular non-linear editing software. See what they had to say in the video below. The Great NLE Debate and DaVinci Resolve Provideo Coalition blog by Brian Hallett Which Non-Linear Editing system equals the best was put to a debate by the Nashville Film Guild. Read More The post Comparing Non-Linear Editing Software appeared first on Videoguys Blog.

ACE to Honor Nancy Meyers with Golden Eddie Filmma

December 16, 2015, 01:10 PM

http://www.btlnews.com/awards/ace-to-honor-nancy-m...

Prolific filmmaker Nancy Meyers has been selected by the board of directors of American Cinema Editors (ACE) to be honored with the organization's ACE Golden Eddie Filmmaker of the Year award. The award will be presented to Meyers by long-time collaborator Steve Martin at the 66th Annual ACE Eddie Awards ceremony on Jan. 29 in the International Ballroom of the Beverly Hilton Hotel. The post ACE to Honor Nancy Meyers with Golden Eddie Filmmaker of the Year Award appeared first on Below the ...

Introducing the Big Three: Spectra, Chroma & Mytho

December 16, 2015, 01:10 PM

http://tracking.feedpress.it/link/9766/2186834

Find just the right look for your project with the new "Big Three" Video Filters Collections. Filters 3 Spectra, Filters 3 Chroma and Filters 3 Mythos offer 7 effects in each with more than 70 presets to help you quickly get the look you need. Let's take a look at what each Filters volume has to offer...

Pouring Viscous Liquids With RealFlow

December 16, 2015, 01:09 PM

http://lesterbanks.com/2015/12/pouring-viscous-liq...

Dusan Marjanovic walks through working with creating a pouring effect with Viscous liquids in RealFlow. The Post Pouring Viscous Liquids With RealFlow originally appeared and published on %%BLOGLINK%,by lesterbanks

The Changing Impact of Color in Video & How to App

December 16, 2015, 01:09 PM

https://www.productionhub.com/blog/post/the-changi...

Color is a simple concept for everyone to grasp, even if they don’t understand color engineering or science. Compared to other technical fields—for example, computer security—you can talk about color with lots of people, because everyone can confidently say, ‘that’s red’ or, ‘that’s reddish-orange,’ and can answer questions like ‘What’s your favorite color?’ People are willing to discuss color and color associations even when they don’t know anything technical.

Final Cut Pro X: Rate Conform

December 16, 2015, 01:09 PM

http://alex4d.com/notes/item/final-cut-pro-x-rate-...

When working with video clips that have frame rates that are close to being a multiple of the timeline frame rate, but not quite, Final Cut Pro X sometimes speeds them up or slows them down. When this happens, you will be able to see a section in the inspector showing that its frame rate has been conformed: This shows that a clip that normally runs at 25 frames a second will be slowed down so that it plays at 23.976 frames per second. It's playback speed on the timeline will be 95.904%....

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