It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 24, 2016, 05:02 PM
http://news.doddleme.com/blogs/post-production/for...
Everything seems to be moving online to the cloud and pretty soon, we’ll all just have terminals that can log into the internet to collaborate on all our projects. And that’s cool because we can then always have an updated editor like Forscene, which recent won a pair of awards. With everyone going mobile, Forscene may be the future of NLEs.
May 24, 2016, 12:38 PM
https://matthewtoffolo.com/2016/04/12/interview-wi...
Crispin Green has edited some of the top TV shows in recent times. It was a pleasure to site down with him to talk about the craft of editing and his career.
May 24, 2016, 09:16 AM
http://www.postmagazine.com/Press-Center/Daily-New...
BERLIN, GERMANY — Magix Software GmbH (www.magix.com), a German software and app provider, is acquiring a majority of the Sony Creative Software (SCS) products. Magix creates video, music, and photo-editing software. The purchase includes the full Vegas Pro, Movie Studio, Sound Forge Pro, and Acid Pro product lines. The SCS Catalyst Browse and Catalyst Production Suite will continue to be developed by Sony for professional broadcast and production applications.
May 24, 2016, 09:15 AM
http://www.avidblogs.com/broadcastasia-2016/
The article Join Avid at BroadcastAsia 2016 in Singapore by Naomi Kim appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
May 24, 2016, 09:15 AM
http://lesterbanks.com/2016/05/transfer-textures-o...
Environment and prop artist, Jeff Parrott shows how you can easily transfer a texture to a similar object, that has different UV's. The Post Transfer Textures Between Objects With Different UV’s, in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
May 24, 2016, 09:14 AM
http://www.artofvfx.com/conan-exiles-making-of-bla...
Cool making of by Bläck about their work on the CONAN EXILES Cinematic teaser...
May 24, 2016, 09:14 AM
http://www.cgmeetup.net/home/g500-vfx-breakdown/
G500 compositing Breakdown by Yaroslav Primachenko.
May 24, 2016, 09:14 AM
http://www.cgmeetup.net/home/realflow-fluids-insid...
A basic introduction to RealFlow & Cinema 4D and its main features.
May 24, 2016, 09:14 AM
http://cinefex.com/blog/eternal-sunshine/
While tracking down the artists responsible for the effects of The Eternal Sunshine of the Spotless Mind, visual effects supervisor Louis Morin confided to me, ‘You’ve got the wrong man. The real magician here is Michel Gondry.’ Normally, the production’s visual effects supervisor is a good barometer for a film’s artistic and technical effects; but Louis was not being disingenuous.
May 24, 2016, 07:45 AM
http://www.aotg.com/index.php?page=cuttingroom_195
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts affect the editing in a comedy.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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