To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Supervising Sound Editor George H. Anderson Joins

May 23, 2016, 10:22 AM

http://www.broadcastbeat.com/supervising-sound-edi...

CULVER CITY, CALIF.— Veteran Supervising Sound Editor and Sound Designer George H. Anderson has joined Sony Pictures Post Production Services.  Anderson brings a deep and varied resume in sound with more than 75 credits in film and television. He has completed several recent projects at Sony Pictures, including Popstar: Never Stop Never Stopping, Pee-wee’s Big ...

Weekend Post-Production News Roundup

May 23, 2016, 10:21 AM

http://manhattaneditworkshop.blogspot.com/2016/05/...

Happy Monday! If you're catching up on the weekend's post-production buzz, here's everything we saw fit to tweet about over the break. (No Game of Throne spoilers forthcoming.)The X-Files VFX Breakdown [CG Meetup]How to Animate a Winding Rope in Cinema 4D [Lester Banks]Avid NEXIS Software-defined Storage Platform is Now Available [Avid Blogs]Cutting on Final Cut Pro X at the University of Michigan [Video Guys]This week on MacBreak Studio: 360VR video in Final Cut Pro X [Pro Video Coalitio...

FXPodcast - UK Union Update

May 23, 2016, 10:20 AM

https://www.fxguide.com/fxpodcasts/fxpodcast-303-u...

We discuss the latest info about UK visual effects artists who are seeking union representaion. Joe Pavlo (artist) and Paul Evans (BECTU) are our guests.

New SFX Libraries: April Recap

May 23, 2016, 07:00 AM

http://designingsound.org/2016/05/new-sfx-librarie...

If you are releasing a new SFX library and you would like it to be included in our recap, send us the details with our SFX Independence Submission Form. Please only notify us of libraries that were released within the last month or substantially updated. Introduction MPLS Light-Rail by Undertone Sound Library For their most recent sound […]

Cheating Subtitles: How to Add Them Easily (and Qu

May 23, 2016, 07:00 AM

https://vimeo.com/167683289

Subtitles are a great way to expand your potential audience to other countries and cultures. When displayed as closed captions, they're also a great service to the hearing impaired community. Some platforms require you to add subtitles/closed captions to even qualify, and the latest of them is Amazon Video Direct. This is a long-form video designed to help you add subtitles to your project, with an eye toward making your work eligible for the new Amazon Video Direct platform that requires...

Virtual Reality 2.0

May 23, 2016, 06:59 AM

http://www.cgw.com/Publications/CGW/2016/Volume-39...

Virtual and augmented reality are making quite a comeback. Indeed, VR made an impression in the 1990s, perhaps even in spite of its role in the creepy science-fiction/horror film Lawnmower Man. In the real world, however, VR applications were limited by the available computer power (or lack thereof) and became mainly the domain of those that could afford it: military, medical, automotive, and aerospace. Often the applications played out in CAVES, with users tethered to cumbersome devices.

Fishermans Friend Vfx Breakdown

May 23, 2016, 06:59 AM

http://www.cgmeetup.net/home/fishermans-friend-vfx...

The shoot took place off the island of Majorca in sweltering 40 degree heat and featured world-ranked hydroflight athlete, Lindsay McQueen who doubled as a fisherman.

Sunday Sound Thought 21 – Visibility Problem…S

May 22, 2016, 12:29 PM

http://designingsound.org/2016/05/sunday-sound-tho...

As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span… I’m trying to remember on which podcast I heard it this week […]

Avid Consolidation Command for Metadata

May 22, 2016, 08:47 AM

https://blogs.creativecow.net/blog/14278/avid-cons...

When I attended my first Avid ACSR class in the late 90's, I was taught to recover a media file. Use the Media Tool and move a master clip from the Media Tool into a new bin. I have been on a mission to understand what metadata lives inside the media file. Part of that answer is using the Avid Consolidate command. Any edited master clip metadata, if supported, gets embedded into the newly created MXF Media File upon MXF File Creation.

LaCie 2TB Porsche Design External Hard Drive Revie

May 21, 2016, 04:25 AM

http://www.digitaltrends.com/hard-drive-reviews/la...

If you’re not backing up your data, you should be. And if you put it off because you’re afraid of a massive hard drive taking up space, LaCie might have the answer.

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