It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 12, 2016, 09:13 AM
http://news.doddleme.com/blogs/post-production/dod...
I’m a huge fan of integration. Any time you can integrate an external program into your NLE, it’s a good thing. It lets us do more in our timelines, without having to leave it, which means we can get our jobs done quicker than ever before.
May 12, 2016, 06:25 AM
http://postperspective.com/butcher-editor-dave-hen...
By Randi Altman I imagine many editors have at some point in their careers considered what it would be like to direct some of the projects they cut — to get up from the workstation and get behind the camera. Well, based on that scenario, Butcher’s Dave Henegar can be considered a very lucky man. Continue reading →May 11, 2016
May 12, 2016, 06:23 AM
http://www.cartoonbrew.com/tech/fusion-compositing...
It’s no secret that in the world of visual effects compositing, The Foundry’s Nuke has led the pack in recent years. Both large studios and smaller facilities have adopted the popular node-based compositor in droves. However, other compositing tools like Autodesk’s Flame, Adobe’s After Effects, and even the one-time industry standard Shake still have their dedicated users.
May 12, 2016, 06:23 AM
http://www.audiomediainternational.com/recording/d...
A selection of DPA microphones have been incorporated into a unique rig designed to offer a recording solution for three Birmingham-based musical bodies.
May 11, 2016, 04:03 PM
http://www.studiodaily.com/2016/05/44-year-old-3d-...
Robby Ingebretsen posted this digital copy of an 8mm print of what he believes may be the first-ever film rendered in 3D CG, created in 1972 by Pixar co-founder Ed Catmull and computer scientist Fred Parke. The 3D titles were created by Robby's … more » The post 44-Year-Old 3D Computer Graphics appeared first on Studio Daily.
May 11, 2016, 04:02 PM
http://news.doddleme.com/blogs/post-production/avi...
In the last lesson, we talked about the “Set Bin Display” feature inside of Avid Media Composer. In this lesson, we’re going to wrap up our look at “Set Bin Display,” and Bins in general, by talking about Reference clips in your bins, and how/why they are important. (For all our Avid Media Composer Bin lessons, click here for Part 1, Part 2, Part 3, Part 4 and Part 5.)
May 11, 2016, 12:54 PM
http://seekingalpha.com/article/3973496-avid-techn...
The CFO announces sudden departure only days after the completion of a troubling Q1, two weeks after providing guidance that now appears wholly unrealistic in the face of bookings falling off a cliff (-17% overall and -28% in Product bookings) and a month or so after securing a new costly $105M credit facility from Cerberus Capital.
May 11, 2016, 09:21 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Union VFX (www.unionvfx.com/) served as the sole visual effects vendor on Florence Foster Jenkins, the new film from Stephen Frears ( Philomena; The Program; The Queen), which was released in the UK on May 6th. The film follows the Lance Armstrong biopic The Program (2015) and the Oscar-nominated Philomena (2013) as the third Frears project on which Union has worked.
May 11, 2016, 09:21 AM
http://www.videoguys.com/blog/video-editors-need-k...
Big updates this year for Adobe Creative Cloud software. This article is for video editors in particular, using Premiere Pro and After Effects. The author predicts these updates will be released sometime in mid-to-late Summer. Be sure to check out our Videoguys resources for Adobe Editors: Videoguys Top 10 Products for Adobe Editors Top 10 Read More The post What Video Editors Need to Know About Adobe’s 2016 Updates appeared first on Videoguys Blog.
May 11, 2016, 09:21 AM
http://www.provideocoalition.com/creative-cloud-tr...
Word came down from the Creative Cloud yesterday that Adobe is changing its trial period from 30 days, reducing it down to 7 days. That’s about a 75% reduction in time that you can run the Creative Cloud suite before you have to pay up. No reason was cited other than to “ensure that trial The post Adobe drastically reduces the trail period of the Creative Cloud suite appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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