It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 10, 2016, 09:24 AM
http://lesterbanks.com/2016/05/create-animated-out...
Ian Waters shows how you can use MASH's trails node to create an interesting animated stroke effect on 3D type in Maya. The Post Create Animated Outlines on 3D Type in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
May 10, 2016, 09:24 AM
http://www.broadcastbeat.com/dpa-microphones-captu...
ATLANTA, MAY 10, 2016 – When a nagging problem with one of his microphones required him to send it back to the manufacturer, Production Sound Mixer Chris Durfy, CAS was looking for a replacement to complete his work on the upcoming Netflix thriller, Stranger Things. Durfy, who had heard great things about DPA Microphones over ...
May 10, 2016, 09:23 AM
http://cinefex.com/blog/hidalgo/
Seeing Hidalgo at Walt Disney’s art deco cinema palace, the El Capitan in Hollywood, was fitting. My parents were in town, and I wanted to treat them to an old fashioned night at the movies, so we loaded up on popcorn and we were not disappointed. It was a rousing, romantic adventure about a man and his mustang, cut from the same cloth as director Joe Johnston’s The Rocketeer, albeit with more horseplay and fewer rockets. So I was happy to cover the film, chatting with ILM’s amiable visual...
May 10, 2016, 09:22 AM
https://medium.com/@nickybee/editing-and-match-cut...
OK — so a lot of assumptions have been made about editing in VR, most of which I think are wrong. Jessica Brillhart discusses a few at some length in one of her medium posts..
May 10, 2016, 09:22 AM
https://medium.com/@brillhart/in-the-blink-of-a-mi...
I’m going to take you back to May of 2015. After a long journey filming with a prototype 360-stereoscopic rig — a very early predecessor to this one — I found myself in Seattle preparing for an edit. I stared into the familiar void of an empty timeline, but I was suddenly without experience or expertise. There were no books on editing in virtual reality, no one with advice, no theory on how to proceed.
May 10, 2016, 05:24 AM
http://www.screeneditors.com.au/videocraft-informa...
TO RSVP please email your details to: Sydney -rsvp@screeneditors.com.au Melbourne -rsvpvic@screeneditors.com.au
May 10, 2016, 05:23 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Veteran VFX producer Chad Hudson, whose credits include The Walking Dead and Game of Thrones, has joined FuseFX (www.fusefx.com) in Los Angeles. He becomes part of a diverse production team that is creating effects for Fox’s Sleepy Hollow and pilots for CBS and Amazon, as well as other upcoming television projects.
May 10, 2016, 05:23 AM
http://feedproxy.google.com/~r/norendercom/~3/0vzl...
Conformado En este vídeo explicamos uno de los temas que más problemas suele dar en […]
May 10, 2016, 05:23 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
For the opening titles of Ciclope Festival 2014, an international conference based in Germany dedicated to the craft of the moving image, a fuchsia booty-shaking robot acts as usher, taking us through a strange and shifting cyberdelic dream.With this sequence artist and director Saiman Chow makes his title design debut, working with studio Blacklist and the sound designers at Antfood to create a world where spam windows overwhelm, deepsea landfills overflow with colour, pandas and A-frames...
May 10, 2016, 05:22 AM
http://postperspective.com/the-third-floors-eric-c...
When people hear the word previs, they likely think of visual effects, but today’s previs goes way beyond VFX. Our industry is made up of artists who think visually, so why not get a mock-up of what a scene might look like before it’s shot, whether is includes visual effects or not. Continue reading →May 10, 2016
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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