August 3, 2015, 08:06 AM
We're all familiar with creative sound design for narrative films—from the buzz of a lightsaber to the roar of a T. rex. But what about the sound in documentary films? Is there a role for abstract sound to play when your film depicts real events?
Christopher Peterson, ACE, sits down with Gordon to discuss American Crime Story: Impeachment.
Gordon Burkell sits down with Alex Amick to discuss her work on the Muppets Haunted Mansion.
Cindy Mollo sits down to discuss the editing of Ozark.
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