March 18, 2019, 06:15 AM
If it’s been Alex Gibney’s job over the years as a documentarian to keep his ear to ground and spot the things that are out of sync, it’s been left to his composer Will Bates to find the right rhythm for it, no matter where it leads.
Cindy Mollo sits down to discuss the editing of Ozark.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
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