April 18, 2012, 07:09 PM
http://www.joyoffilmediting.com/index.php/archives...
My last post explained the 180 Degree rule. It also stated that crossing the line can disorient an audience and that directors film shots from both sides of the line. How does the editor cut from one side of the line to another and use the director's angles to tell the story without disorienting the audience?
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