April 18, 2012, 07:09 PM
My last post explained the 180 Degree rule. It also stated that crossing the line can disorient an audience and that directors film shots from both sides of the line. How does the editor cut from one side of the line to another and use the director's angles to tell the story without disorienting the audience?
Cindy Mollo sits down to discuss the editing of Ozark.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
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