October 13, 2010, 11:22 AM
Although many TV series on the broadcast and cable networks still originate on film, digital acquisition of all types has boomed, impacting post production paths. "Post workflows for digital shows are settling in," says Nick Bradley, co-producer of the new FX series, Terriers. "Now it’s a matter of a DP finding the right camera that enables them to shoot like they did with film: capturing amazing images with lots of latitude while enjoying the bonuses you get on the back end in post."
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
Gordon sits down with Michelle Tesoro ACE to discuss her work on The Queen's Gambit.
© 2007-2021 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.