December 9, 2011, 03:46 PM
I continue to read a lot of negative opinion about stereoscopic filmmaking online, particularly within the postproduction community. Lots and lots, in fact. While I have no great love of stereoscopy for its own sake, I must say that there's a consistent criticism I read that makes no sense to me, either as a writer or as a postproduction professional. That criticism is that stereoscopy adds nothing to narrative, the implication being that it should be abandoned if it does not.
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