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May 3, 2013, 04:41 AM

Over the past decade Colour Grading has evolved from the very linear telecine process to the very flexible non-linear DI workflows of today. A skilled colourist will maintain continuity by matching shots, and also enhance the work of the cinematographer. But colourists also manipulate perception to stimulate emotions, focus attention and improve understanding of a project. Colour Grading can add fantastic production value. Books and videos are helpful resources but they can never replace first h...

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