March 10, 2015, 12:49 PM
http://cinefex.com/blog/lidar/
Making movies has always been about data capture. When the Lumière brothers first pointed their primitive camera equipment at a steam locomotive in 1895 to record Arrivée d’un train en gare de La Ciotat, what were they doing if not capturing data? In the 1927 movie The Jazz Singer – the first full-length feature to use synchronised sound – when Al Jolson informed an eager crowd, “You ain’t heard nothing’ yet!”, what was the Warner Bros. microphone doing? You guessed it: capturing...
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