March 10, 2015, 12:49 PM
Making movies has always been about data capture. When the Lumière brothers first pointed their primitive camera equipment at a steam locomotive in 1895 to record Arrivée d’un train en gare de La Ciotat, what were they doing if not capturing data? In the 1927 movie The Jazz Singer – the first full-length feature to use synchronised sound – when Al Jolson informed an eager crowd, “You ain’t heard nothing’ yet!”, what was the Warner Bros. microphone doing? You guessed it: capturing...
Christopher Peterson, ACE, sits down with Gordon to discuss American Crime Story: Impeachment.
Gordon Burkell sits down with Alex Amick to discuss her work on the Muppets Haunted Mansion.
Cindy Mollo sits down to discuss the editing of Ozark.