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Looking at the ACES color workflow on Café Societ

March 2, 2017, 05:33 PM

By Sarah Priestnall Last year’s Café Society marked a milestone in Woody Allen’s cinematic career — the first of his movies to be acquired digitally, mostly with the Sony F65 camera, and with additional use of the Sony F55. To accompany him in this endeavor, he turned to legendary Italian cinematographer Vittorio Storaro, Continue reading → March 2, 2017 The post Looking at the ACES color workflow on Café Society appeared first on Randi Altman's postPerspective.

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