April 21, 2015, 09:44 AM
http://postperspective.com/nab-2015-mpse-panel-pro...
By Mel Lambert “When a soundtrack is loud you can wing it, but for Fifty Shades of Grey everything had to be carefully balanced to match the different environments,” reported sound effects mixer Anna Behlmer who, with Terry Porter overseeing dialog and music, re-recorded the intricate soundtrack for director Sam Taylor-Johnson’s recent film of the best-selling novel by E. L. James. “The film’s carefully crafted Foley, for example, created the sense of isolation on the 50th floor ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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