August 16, 2018, 11:08 AM
GLENDORA, CA, AUGUST 16, 2018 â€“ When the National Hot Rod Association (NHRA), was looking to attract more fans and recreate the ear-splitting, earth-shaking racetrack experience for its television viewers, it was presented with a unique challenge. While capturing races in Dolby Atmos, the NHRA was having problems finding a microphone that would realistically reproduce the low frequency component of its product and withstand the incredible sound pressure levels at the launch of 11,000 horsepower cars. Mike Rokosa, technology executive at the NHRA, found the solution he was looking for in the form of the d:dicateâ„¢ 4007 Omnidirectional Microphone from .
Rokosa met DPAâ€™s National Sales Support/Business Development Manager, Gabriel Antonini at this yearâ€™s NAB show in April, and the following week, Antonini raced down to the NHRA Spring Nationals in Baytown, Texas to advise on microphone placements. The DPA mics were placed at the start line where the nitro methane fueled cars launch from. The sound pressure levels are the most extreme in this location and for the first 50 feet of a race.
â€œWe experimented with the DPA mics as part of Gabrielâ€™s visit and he also collaborated on some placement discussions,â€ says Rokosa. â€œOur overall takeaway was how impressed we were with the d:dicate 4007 microphone. In the locations where we placed them, they had to contend with SPLâ€™s in excess of 160 decibels (dB). They not only survived where other mics have failed, but they delivered a very clean representation of the natural sound.â€
Rokosa has been very happy with DPA mics in the short time he has been using them. â€œSound is what conveys the awesome power of these cars and we are trying to provide the fans at home with as much of the aural experience of the live event as possible,â€ adds Rokosa. â€œThe deep rumbling of the engines and the sudden explosion are difficult to capture without destroying the device, and the d:dicate 4007 mics seem to be able to survive in this environment.â€
Last year, the NHRA had over 500 hours of television programming throughout the year, highlighted by 17 live race-day shows, including four on national network television and primetime Friday night qualifying shows.
â€œI am very appreciative of how fast Gabriel and the DPA team were in addressing our needs and providing a viable solution,â€ says Rokosa. â€œTo have someone in the field with us was a demonstration of substantial support and that also allows us to continue to determine how well
the mics will hold up over time. We intend to use these mics for the remainder of our upcoming productions and television broadcasts.â€
ABOUT DPA MICROPHONES:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPAâ€™s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPAâ€™s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.
DPA Microphones d:dicate™ 4007 Withstands Sound Pressure Levels in Excess of 160 dB to Bring Realistic Racetrack Experience to Television Broadcasts#dpa
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