May 8, 2013, 05:24 PM
A couple years ago I was lucky enough to acquire the Steenbeck that once belonged to Orson Welles and his editor Gary Graver. It had languished in a dark, dusty storage unit deep in the San Fernando Valley. It is fully functional and carries the cinematic history of very special hands working magic upon it. I decided to give it a proper home so other filmmakers could at least see the behemoth of analog editing in person.
Christopher Peterson, ACE, sits down with Gordon to discuss American Crime Story: Impeachment.
Gordon Burkell sits down with Alex Amick to discuss her work on the Muppets Haunted Mansion.
Cindy Mollo sits down to discuss the editing of Ozark.
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