It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 13, 2016, 09:33 AM
https://www.aotg.com/why-does-this-ceiling-look-like-this/
Ceilings have two functions in our music rooms. They are the smallest dimensions and produce the most modal issues and are the most annoying surfaces for unwanted reflections. Using a combination of absorption / diffraction is one method to provide the psycho acoustic benefit of making the ceiling disappear.
April 12, 2016, 06:40 PM
https://www.aotg.com/the-sound-of-10-cloverfield-lane/
In this exclusive SoundWorks Collection interview we talk with the sound team of Director Dan Trachtenberg's film, 10 Cloverfield Lane including Supervising Sound Editor Robert Stambler, effects sound re-recording mixer Will Files and dialogue and music sound re-recording mixer Lindsey Alvarez.
April 12, 2016, 12:27 PM
https://www.aotg.com/game-audio-hour-100-the-game-audio-game/
A weekly podcast where we discuss all things game audio. From creative ideas to the latest techniques, project experiences to audio secrets. Here is where you'll find in-depth coverage and opinions related to game audio.
April 12, 2016, 05:56 AM
http://designingsound.org/2016/04/jacks-home-nas-o...
A few months ago I read the article Backup and Archive Solutions for Musicians and it got me thinking of how I could potentially use local network storage to hold my projects and libraries in one location instead of spreading it out among my Mac, PC, and Mac Laptop. This turned into a rather large but […]
April 12, 2016, 05:54 AM
http://www.asoundeffect.com/the-100-sound/?utm_sou...
‘THE 100’ is a popular, post-apocalyptic series from The CW, currently in its third season. Peter Largo has worked on sound design for the entire series, with the exception of the pilot – and in this special post, he reflects on his sound for ‘THE 100’, and how your sonic mindset can change everything.
April 11, 2016, 04:23 PM
http://hdslrshooter.com/sennheiser-announces-avail...
Sennheiser is introducing an app for remotely controlling its evolution wireless D1 radio microphone systems. The WSR app converts iPad and iPhone into a handy remote control for digital D1 systems, assisting in the configuration, management and monitoring of radio links. The app is available from the Apple App Store as of now.
April 11, 2016, 12:27 PM
https://www.productionhub.com/blog/post/man-of-sou...
When it comes to bringing a story to life with sound, there's more to it than meets the eye... or ear. Woody Woodhall, CAS is President of Allied Post Audio in Santa Monica, CA and is an award winning supervising sound editor, sound designer and rerecording mixer. He has sound supervised and mixed feature films, documentaries and for television he’s VO recorded, sound edited and mixed hundreds of episodes of programming for MTV, Comedy Central, Food Network, Nat Geo, History, USA Network...
April 11, 2016, 12:27 PM
http://designingsound.org/2016/04/inspirations-dis...
Gordon McGladdery runs A Shell In The Pit Audio, a two-person game audio/music company in Vancouver, BC. He also co-hosts the Beards, Cats and Indie Game Audio podcast with Matthew Marteinsson. I’ve learned there is a distinct difference between hobbyist/personal inspiration and professional inspiration with deadlines and accountability. I’ve lived through both and prefer the […]
April 11, 2016, 09:27 AM
https://www.aotg.com/dynamount-microphone-placement/
In this video from Musik Messe 2016, James from Pro Tools Expert talks to Mike from Dynamount about there amazing automatic motorised mic placement system.
April 11, 2016, 06:01 AM
http://www.audiomediainternational.com/new-gear/rm...
RME had an eventful Musikmesse/Prolight + Sound this year, unveiling four new products and celebrating its 20th anniversary.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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