A community-driven source for post-production information
September 15, 2021, 09:08 AM
If you’ve seen Into the Spider-Verse, The Mitchells vs The Machines, Luca and a wave of other animated features lately, then you already know that ‘stylization’ in animation is becoming more of a mainstream thing. But what does ‘stylization’ mean here, exactly?
September 13, 2021, 11:13 AM
Blackmagic Design today announced that Hibino Corporation installed a Blackmagic 12G and optical fiber workflow, including Blackmagic URSA Mini Pro 4.6K G2 and ATEM Television Studio 4K, for their new virtual production studio, Hibino VFX Studio. The new studio features one of the first in camera virtual production services in Japan.#blackmagic design#davinci resolve studio#ursa mini pro 4.6k g2#atem television studio 4k#atem camera control panel#smart videohub 40 x 40#studio fiber converter#camera fiber converter#ursa studio view finder#teranex mini sdi to hdmi 12g
September 13, 2021, 08:41 AM
The winners of the Television Academy Emmy awards relating to visual effects have been announced, and the recipients were The Mandalorian for Outstanding Special Visual Effects In a Season or a Movie, and Star Trek Discovery for Outstanding Special Visual Effects In A Single Episode. The winners of the Television Academy Emmy awards relating to visual effects have been announced, and the recipients were The Mandalorian for Outstanding Special Visual Effects In a Season or a Movie, and Star Trek ...
September 3, 2021, 09:07 AM
The moment viewers laid their eyes on Alligator Loki in the MCU streaming series, they were hooked. An ILM CG creature, the Loki variant is seen as part of a ragtag group of variants stuck in the Void.
August 31, 2021, 08:51 AM
Chris Downs has been working in visual effects for over 17 years. He has worked at many studios such as Rising Sun Pictures, Image Engine, MPC and joined DNEG in 2018. He has worked on many films such as Maleficent, The Dark Tower, Fast & Furious Presents: Hobbs & Shaw and Ad Astra.
August 22, 2021, 12:30 PM
Replay: This year, Terminator 2: Judgment Day turns 30. Made by a director and star at the peaks of their powers, T2 was the most expensive film ever at the time, and remains both the highest-grossing movie of Arnold Schwarzenegger’s career and the sequel which furthest out-performed its progenitor. It is also one of a handful of films that changed the world of visual effects forever, signalling as it did – to borrow the subtitle from its woeful follow-up – the rise of the machines.
August 18, 2021, 03:25 PM
FX Legion delivered 100+ visual effects for director Rodo Savagues’ action thriller, ‘Don’t Breathe 2.’ released theatrically on August 13th. The franchise was born from the creative partnership of Savagues and Fede Alvare, the director of the highly successful first installment, ‘Don’t Breathe,’ in 2016. Visual effects were key to bringing co-writers Savagues and Alvare’s vision of the sequel to life. Complex computer-generated sequences and digital shots were relied on to au...#vfx#film#vfx legion#james david hattin#vfx british columbia#vfx vancouver#vfx los angeles#vfx legion creates
August 18, 2021, 09:06 AM
Cinelab London, a UK-based full-service film lab and digital dailies facility, has hired senior colorist and dailies supervisor Darren Rae as head of color. Rae has spent over 25-plus years working with directors and cinematographers supervising dailies and grading many blockbuster and independent feature films and longform series. Some of his credits include Spectre, Continue reading → August 17, 2021 The post Cinelab Adds Industry Vet Darren Rae as Head of Color appeared first on postPersp...
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
Gordon sits down with Michelle Tesoro ACE to discuss her work on The Queen's Gambit.
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