It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
May 20, 2022, 08:40 AM
NEW YORK CITY — Alkemy X (https://www.alkemy-x.com) continues to expand its visual effects team with the recent additions of head of IT, VFX, Jeff Hipolito, and VFX compositor Jimmy Smith. The hires build on Alkemy X’s dramatic growth in Los Angeles, along with recent expansions to Singapore, Vancouver and Toronto.
May 20, 2022, 08:39 AM
Put on your best gravelly movie trailer voice and say "Imagine a world...", because in the future, that's how you'll make films: by imagining a world.
May 17, 2022, 08:51 AM
Released on Netflix in 2020, sci-fi drama The Midnight Sky made extensive use of virtual production technology to tell a story set in two harsh and alien environments: deep space and the Arctic.
May 13, 2022, 12:43 PM
LONDON — Framestore (www.framestore.com), the Oscar-, BAFTA- and Emmy-winning VFX studio that has created visuals for the likes of Gravity, Paddington 1 & 2, Spider Man: No Way Home, His Dark Materials and Blade Runner 2049, has announced Mel Sullivan as its new CEO, with founding member and CEO of 26 years Sir William Sargent stepping down to focus on the wider Framestore Company 3 Group.
May 13, 2022, 12:41 PM
There's a family resemblance between these two technologies, and they are closely related. But the full answer is nuanced.
May 12, 2022, 08:48 AM
CULVER CITY, CA — Wylie Co. (https://wylie.co) recently welcomed Daniel Lang back as full-time staff compositor, as well as added Unreal Engine artist Bryan Bigler. Lang has been a Nuke compositor for over 10 years, but has been creating visual effects since he was a teenager. He got his start working with Maxon’s Cinema 4D and later learned Adobe After Effects, developing his skills while working on his own projects until he started working for The Mill in 2010. He was hired as a compositor...
May 12, 2022, 08:48 AM
liver Randorff shows how to make a 3D particle effect in Ae using CC Particle World. When working with 3D particles in After Effects, there are a few issues that you can run into, money
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.