To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

So, what exactly is good sound?

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http://www.redsharknews.com/audio/item/3258-so,-wh...

As industry professionals it’s a question we think we know the answer to, but do we really know what good sound is, or even how to achieve it? By Dan George. audiophileaudio reviewshifisound qualityAudio

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http://www.audiomediainternational.com/new-gear/iz...

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http://designingsound.org/2016/02/sunday-sound-tho...

As the year continues, many of these posts will be phil […]

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http://www.avidblogs.com/mixing-25-shows-at-the-th...

The article Mixing 25 Shows at the Théâtre St-Denis with S6L by Hugo Larin appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

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http://designingsound.org/2016/02/dive-into-code-p...

This article is a guest contribution by Leonard Paul, p […]

NUGEN Audio at the 2016 NAB Show

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http://www.broadcastbeat.com/nugen-audio-at-the-20...

2016 NAB Show Preview NUGEN Audio April 18-21 At the 2016 NAB Show, NUGEN Audio will demonstrate the latest updates to its industry-leading family of post-production and broadcast audio tools. These include significant updates to the company’s upmixing, batch processing, and offline loudness tools. Halo Upmix Stereo to 9.1 Option NUGEN Audio will unveil an ...

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http://www.audiomediainternational.com/interview/i...

Now one of the UK’s top TV composers after decades spent honing his craft on shows such as 'Going Postal' and 'Hotel Babylon', two-time Emmy winner John Lunn is best known for his work on 'Downton Abbey', which had its grand finale recently. Adam Savage asks him to look back on what made the show so successful and reveal his 2016 plans...

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http://www.neatorama.com/neatogeek/2016/02/11/The-...

Back in the good old days of showbiz, sound effects were created by foley artists who made a racket and recorded their sounds right on the spot, without any digital help or enhancement.

Good sound gives films emotion

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http://variety.com/2016/artisans/awards/good-sound...

Around this time of year, supervising sound editor Mark A. Mangini finds himself fielding phone calls from fellow Academy of Motion Picture Arts and Sciences members who aren’t part of the sound branch.

Tech Talk S6E3 Sibelius: Advanced Sibelius Techni

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https://www.aotg.com/tech-talk-s6e3-sibelius-advanced-sibelius-techni/

For all music composers who want to create and deliver professional looking scores more efficiently, let Sibelius expert Joshua Young be your guide. Learn how to create and use wildcards, take advantage of custom symbols, and speed up authoring through the use of custom house styles. Avoid formatting problems and successfully make adjustments to document layouts when preparing to print scores for specialized page sizes.

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