To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Rode Link & Audio Effects

August 13, 2015, 12:33 PM

https://www.aotg.com/rode-link-audio-effects/

Ryan reviews the Rode Link Wireless Audio System & talks audio effects from last weeks Domain Ad!

How to Recall Your AAX Audio Plug-in Presets from

August 13, 2015, 09:18 AM

http://www.avidblogs.com/how-to-recall-aax-audio-p...

The article How to Recall Your AAX Audio Plug-in Presets from Pro Tools in Avid Media Composer by Brian Benoni appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Live Sound Expo Topics Announced

August 13, 2015, 05:33 AM

http://www.avnetwork.com/latest/0013/live-sound-ex...

This year’s 139th AES International Convention is set to offer a number of unique presentations and events, October 29-November 1 at the Jacob Javits Center in New York City.

How to Match Sound from Two or More Separate Recor

August 12, 2015, 04:16 PM

http://www.videomaker.com/article/17954-how-to-mat...

How does a filmmaker match the sound qualities of two different recordings if they were captured with different microphones, in different locations? It is possible to trick the audience.

Constructing Activated Carbon Bass Absorption Unit

August 12, 2015, 10:02 AM

https://www.aotg.com/constructing-activated-carbon-bass-absorption-unit/

Sam Small had a small room. His room is 8' w x 8' h x 9' l. Two room dimensions that are the same produce twice the number of unwanted modal pressures. This is a red area room size on our room size and volume calculator.

News: The Sound Keeper: Indiana Jones Punch Sound

August 12, 2015, 05:37 AM

http://designingsound.org/2015/08/news-the-sound-k...

Jeremy Rogers at The Sound Keeper has just come out wit […]

Interview with Steve Tibbo – Emmy Winning Produc

August 10, 2015, 08:42 AM

http://designingsound.org/2015/08/interview-with-s...

GUEST CONTRIBUTION BY DALE CROWLEY A few days after thi […]

Composer Interview: Daniel Pemberton

August 8, 2015, 09:39 AM

https://www.aotg.com/composer-interview-daniel-pemberton/

Composer Daniel Pemberton has very quickly established himself as one of the premiere and unique sounds of the film industry. His bold style and approach is on full display in Guy Ritchie's The Man From U.N.C.L.E.

Binaural Audio as Fast As Possible

August 6, 2015, 11:46 PM

https://www.aotg.com/binaural-audio-as-fast-as-possible/

What IS binaural audio, and do you need any specific hardware to listen to a binaural track?

Surround Sound for Movies - update

August 6, 2015, 11:46 PM

https://www.aotg.com/surround-sound-for-movies-update/

The first film with the current Dolby Digital (5.1) soundtrack was “Batman Returns” in 1992. The 5.1 arrangement has three channels across the front of the screen (left, center, right), two surround channels (left and right) and one channel for low-frequency effects, abbreviated LFE, for the rumbles, gunshots, and explosions.

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