To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Audio: When Shooting For Reality Television

January 27, 2015, 01:25 PM

http://feedproxy.google.com/~r/CrewsControl/~3/ey5...

When shooting reality television, many challenges come into play for everyone involved, producers, DP’s, audio; and it is important for everyone to work together to face these challenges. Audio has their own set of challenges when shooting reality, and as a DP I know how difficult these challenges can be and how much they affect the whole production. For starters you need to have a good A1. Without an experienced person, all the technology in the world can’t save you from an audio disast...

Review: PreSonus StudioLive RM32AI & RM16AI

January 27, 2015, 10:48 AM

https://www.aotg.com/review-presonus-studiolive-rm32ai-rm16ai/

The RM32AI and RM16AI are digital mixers controlled remotely via WiFi by a computers or iPads. Let's take a look...

Audio: When Shooting For Reality Television

January 27, 2015, 10:48 AM

http://crewscontrol.com/index.php/blog-central/aud...

When shooting reality television, many challenges come into play for everyone involved, TV Producers, DP’s, and Audio Technicians. It is important for everyone to work together to face these challenges. Recording audio for reality TV effectively is an art, and as a DP I know how much good or poor audio practices can affect the whole production.

An exclusive inside-look at Izotope RX4

January 27, 2015, 06:00 AM

http://www.asoundeffect.com/matt-hines-interview-o...

When it comes to audio repair and enhancement, Izotope’s RX series is the gold standard for a lot of field recordists, sound editors and others in audio post. But what exactly makes it stand out, what’s the story behind it, and what’s new in version 4? I decided to get in touch with Izotope’s Matt Hines – the product manager for RX – to find out more...

Immersive Sound with Mark Richer on ATSC

January 26, 2015, 06:01 PM

http://www.tvtechnology.com/article/all-around-sou...

WASHINGTON—The next-generation broadcast transmission standard typically evokes discussions about mobile distribution and interactive functionality, but it will also include an emerging type of audio that places discrete sounds in a specific space. Think of it as all-around sound versus the 5.1 channels most often associated with surround sound. The Advanced Television Systems Committee issued a Call for Proposals last month for the ATSC 3.0 Audio Standard. ATSC President Mark Richer provided ...

Interview With Preview Of Output Rev Instrument

January 26, 2015, 05:57 PM

https://www.aotg.com/interview-with-preview-of-output-rev-instrument/

James from Pro Tools Expert meets up with one of the the team from Output to talk about the Sound Design tool Rev. REV is not a "reverse" button like the one...

The Importance of Sound

January 26, 2015, 03:57 PM

https://www.aotg.com/the-importance-of-sound/

A bit about my history and approach to sound and the gear I use.

Exclusive Look At UAD Apollo Expanded And Console

January 26, 2015, 10:31 AM

https://www.aotg.com/exclusive-look-at-uad-apollo-expanded-and-console/

James is given a full show and tell preview of the new Universal Audio UAD Apollo Expanded update with Console 2 software.

Tom Fleischman - Mr. Dynamite: The Rise of James B

January 26, 2015, 05:50 AM

http://soundworkscollection.com/news/soundworks-co...

This week we spoke with re-recording mixer Tom Fleischman who worked on Director Alex Gibney's music bio doc Mr. Dynamite: The Rise of James Brown.

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